Gianfranco Zenerato - TECHNOLOGICAL CONFLUENCE - Luminescent paint - XL

OPPORTUNITY FOR COLLECTORS AND ART INVESTORS

Among the contemporary artists most appreciated and fastest growing on Catawiki, Gianfranco Zenerato has already earned the trust of over 180 international collectors.

ADD A UNIQUE AND DISTINCTIVE PIECE TO YOUR COLLECTION THAT CAN ENHANCE THE PRESTIGE OF YOUR ART HERITAGE!

- 216 works sold
- 100% positive feedback
- 84 certified reviews

Dear Collectors,
if you happen to be on vacation or temporarily away, I invite you to contact me to jointly arrange the delivery schedule of the purchased lot. I will be happy to accommodate your organizational needs so that the delivery takes place in the most convenient times and ways for you.

www.zenerato.com

One-of-a-kind piece 100% HAND-PAINTED on premium BLACK VELVET - Glows in the dark

WHY COLLECT A GIANFRANCO ZENERATO WORK

✓ Over 35 years of professional career
Active since 1990, Gianfranco Zenerato has developed over time a personal, recognizable artistic language appreciated by collectors and art critics.

✓ More than 600 exhibitions and artistic events
A constant presence in the national and international art scene, built through decades of exhibition activity.

✓ Over 500 awards and recognitions
An artistic path recognized by institutions, critics and cultural organizations for its value and quality.

✓ Works present in private and public collections
His paintings are part of collections in Italy, Europe, America and Asia, confirming international interest in his work.

✓ Appreciated by specialized critics
His artistic research has been analyzed and presented by authoritative critics and art historians, including Paolo Levi, Giammarco Puntelli, Sandro Serradifalco, Giorgio Grasso and many other industry professionals.

✓ A unique and instantly recognizable style
Zenerato’s works combine figurative tradition, symbolism, and contemporaneity. Each painting tells a story and invites the viewer to a personal and always new reading.

✓ Works carried out with high technical quality
Great attention to detail, compositional balance and chromatic intensity make every work a piece of strong visual and collecting impact.

✓ Not mere decoration
Each work arises from a research path developed over more than three decades of professional activity and represents a synthesis of the author’s artistic vision.

An opportunity for the collector

Acquiring a Gianfranco Zenerato work means possessing an original piece created by an artist with a long documented career, hundreds of recognitions and a consolidated presence in international collections.

A work designed not only to be admired today, but to maintain its artistic, cultural and collecting value over time.

(Painting with luminous colors)

In TECHNOLOGICAL CONFLUENCE, the artist shapes an intense meditation on the intertwining of consciousness and technology. The cyborg figure, absorbed in contemplation, embodies a post-human capable of wonder at the fragility of the living, symbolized by the butterfly. The digital device, a mirror and interface, quietly questions identity in the era of code. In the background, a fighter jet traces the dramatic boundary between destructive and regenerative technologies, a contrast between war and care. Natural and phosphorescent light suggests a dual consciousness, suspended between visible and invisible, reason and mystery. A work that fuses painting and thought in a dialogue of extraordinary force.

With TECHNOLOGICAL CONFLUENCE you acquire a piece that elegantly synthesizes the dialogue between technology and consciousness. A strong visual presence capable of distinguishing your collection for originality and contemporary vision. It is not just a purchase, but a value choice: a work that speaks the language of the future, with the power of painting and the depth of thought.

One-of-a-kind piece 100% HAND-PAINTED
International archival certificate - Certificate of authenticity signed by the author - File containing the artist’s artistic path - Acrylic, luminous colors, metallic pigments on premium black velvet already mounted on a wooden frame - Glows in the dark - Dimensions 80x100x2 - 2025
Ready to be hung

IMPORTANT NOTE FOR BIDDERS OUTSIDE THE EUROPEAN UNION
Shippings to non-EU countries are possible, but due to complex bureaucratic procedures (ministerial authorizations, customs formalities, etc.), extra costs are expected, already included in the shipping costs indicated in the listing.
For the same reasons, delivery times may be longer than usual.
Thank you for your understanding.

GIANFRANCO ZENERATO (Professional Artist - Italy)

Active since 1990, he has undertaken an artistic path that has led him to participate in over 600 art events, receiving national and international recognitions for the quality of his works. With over 500 awards to his name, his creations enrich notable public and private collections in Italy, Europe, America and Asia. He has exhibited alongside masters such as Antonio Nunziante, Athos Faccincani, Alfonso Borghi, Giuseppe Menozzi, Giampaolo Talani, Saturno Buttò, etc...

Currently, he collaborates with the renowned art critic, Prof. Giammarco Puntelli.

Some critiques by well-known sector experts:

Gianfranco Zenerato belongs to that stream of seventies artists, stern messengers of Western society. While Milanese Antonio Recalcati and Roman Franco Mulas expressed social anger, Zenerato bears a poignant warning, where the defeat of man can also be the threshold of secular redemption. It is a vision dense with symbolic meanings, of a painter from a modern school, who with talent reconciles research with experimentation. (Paolo Levi)

One realizes receiving from this emblematic image a kind of invitation to meditate on the beauty of a still life, a flower and a young woman. The classicism of these silent images interrupts the suspended atmosphere of a gray world, the contemporary one, that distracts us from the dream. (Paolo Levi)

In this disturbing yet explicit visual message, the dialogue between chromatic essentiality and harmony of forms testifies to expressive tension and the mastery of a skilled artist. Interesting and original the mix of flowers, fruits and contemporary technological objects. (Stefania Bison)

Gianfranco Zenerato develops symbolic narratives that reveal, step by step, the infinite possibilities of a fertile imaginary, organized according to ordered sequences of his cognitive elaborations. His fanciful constructions could thus confuse critical judgment in defining him as a surrealist. This is not correct, because he does not propose an absurd and unreal imaginary, but on the contrary, paints a reality familiar to us, with a communicative and highly symbolic purpose. (Sandro Serradifalco)

This Gianfranco Zenerato painting is technically well-structured, finely and richly articulated, and proposes the reality built by the mind of a visionary. His works have a strong scenic component and those who explore these messages remain to decipher what meaning the author attributed to them. Indeed, he plays with symbols and allusions and enjoys confusing interpretive coordinates of what could be the intertwining of a story camouflaged as unreality. (S. Russo)

With Gianfranco Zenerato we have an excellent idea, transformed with great ability into what is a figurazione di attesa, where modernity meets a time that no longer exists to make us re-meet the feelings... (Giammarco Puntelli)

The author focuses on overlap and intersection of genres, on an allusive and metaphorical research incisive in subjects and colors. With stunning intuition he unifies past (still life), present (the female image) and future (symbolism, cryptic writing...) such that the work becomes an artistic but also literary and meta-narrative paradigm. He presses the painter to identify a new visual universe, to explore the limits of traditional iconography to demonstrate how painting today — amid so much noise — remains an original discipline. The artist’s creativity then reaffirms — also thanks to the vivid chromatics — how the approach tied to genre still has citizenship in 21st-century painting.

Gianfranco Zenerato’s painting leads us to a vision of reality operated on three levels. It is a journey through time that we undertake with the artist, who through various experiments has come to place his vision in a present that “looks” to the past as an ideal world, but now lost, and to a future full of artificial and artificed contaminations.
It is a warning and a notice the message that emerges from the elements placed on the canvas surrounding his overall vision. The “battery” that we find as a fixed element is telling us “attention,” time is running out, and the strong pull of natural elements placed in the foreground, contaminated by objects of the technological world (the mouse, the CD or the alarm clock) emphasize how important it is not to sever the bond with the past, with a world where nature was predominant.

The female element, placed on the temporal plane of the present, represents the archetype of Mother-Earth placed in the middle ground between past and future.
Gianfranco, like Ulysses, travels in this temporal dimension, in search of the forces that sustain and shape us, alter or govern our fate. Pushed toward the future, the man-artist faces the journey with strength and determination, but then realizes his own fragility in front of the complexity of a world he created, the technological one, which is slipping from his hands, and therefore feels the need to return to where he started. Thus the cyclicality returns in which the journey is this eternal reminder of life and death. We must return to the starting point to rediscover ourselves and the female figure becomes a symbol of she who allows us to be reborn.
The words “to depart” and “to give birth” both contain the concept of separation and detachment and in every journey undertaken by Gianfranco Zenerato there is this circular temporal reference, this departing and then returning. When looking to the future, all that remains is to turn our gaze to the past to not lose our roots, to not let ourselves be dehumanized by the technological and post-technological world.
Each journey puts rationality and emotions on the same level, raising doubts and fears, the times of daily life distort and take on different meanings.
Going toward the future becomes a challenge, captured in the feminine gaze, but also a danger because it is almost a loss of identity. When departing, one must face the separation from the “old self,” made of habits, roles and certainties. Departing is still freedom and even if this is limited because we encounter the unknown, it manages to impose order on the past. The moving perspective becomes centrifugal and centripetal, the flow of expansion is the direction one is going, while the focal point of contraction is the direction from which one comes and in Zenerato’s works one senses this sense of coming from one place and moving toward another. At the center the female figure as reference point: it is the artist’s consciousness, the heart of going, with its rhythms, noises, times, difficulties, discoveries and emotions.
The temporal plane of the future that represents arrival is, in some works, dehumanized, and the female figure is almost eroded because the artist himself does not recognize himself in such a placement: it is as if the loss of identity were a disconsolate resignation to the loss of ties with the past and even the elements of still lifes become, in some cases, almost absent and overwhelmed by those of the technological world.
Thus it becomes fundamental to protect ourselves from this future, which advances dangerously and almost uncontrollably, and to take refuge in something familiar and ancient where even “illusions are real.”
With Gianfranco Zenerato we truly have the possibility to travel through dreams, signs and symbols, where each of us will see himself reflected in a mirror. Departing with him will mean momentarily obscuring those mirrors in anticipation of discovering a different image of ourselves. We may find, perhaps, our essence, we will realize the relativity of values and points of view ours and others. We may get lost and then find ourselves, realizing a common nature, a common destiny, a common identity. (Gaetana Foletto)

The artist, starting from classical pastism with a language of pre-abstract figurative, on the background of his inner historicizing cosmos expands the movable cursor of his developing consciousness, up to the extreme urgencies of the present, subjugating his learned technique to the energy of dream, sign, symbol and above all the color, rich in clarity, and tonal purity, to interact with the present even technological. His modernity is genuinely psychological and an intensive expression of his expressive charge of variables of late 20th-century neo-expressionist citationalism with Caravaggesque overlays... and modern post-Renaissance psychology (Rembrandt...). Zenerato has broad creative potentials, knowing how to poetically combine them, assembling, making the lyre of the soul poetry resonate on the coordinates of art history in universal values, and in scanning the cursor of his infinite imaginative evolution, through the hyperrealism of his visionary dream, a window opened added to reason. dialoging with the present. (Prof. Alfredo Pasolino)

Very interesting his research: figuration achieves scenic effects in a space where a symbolic frequency vibrates, entrusted each time to dream, myth, or daily reality, all harmonized by a splendid chromatic game.

The Artist of rigor and modernity
Edited by Francesco Cairone

The most original authors are not so because they promote what is new, but because they express what they have to say in a way that makes it seem it has never been said before.
(Gothe)

It is necessary to start from Goethe’s incisive phrase to talk about the rich and innovative painting of artist Gianfranco Zenerato, and this because through that simple phrase a great truth is told, namely that now in painting everything has been done and today the artist who seeks to conquer his own individuality, without being influenced by currents and Masters of the past, must overcome enormous obstacles because as also Giorgio Morandi said, “There is nothing or very little new under the sun,” and therefore to be original one should paint bearing in mind social, technological and scientific evolutions.

They say art belongs to everyone but not to everyone, everyone thus has the right to be moved before a masterpiece, but painting and creating is a gift that God has granted only to a few elect who, able to see what others often do not perceive, manage to transform the emotions that arise from small things, from a gesture, from a caress, from a gaze, into vibrant tones that color the greyness of the world around us.
Among these fortunate people one must surely count Maestro Zenerato, a talented artist like few, who makes meticulousness, rigor and imagination a painting style that, although recalling past Masters in the mind, proves that the artist has absorbed the lessons of beautiful painting, stealing a technique from the greats that is impeccable, presenting a uniqueness and an individuality visible in that touch of elegant modernity present in every single creation, which makes him a white crow in the national artistic panorama.
Boutiques of flowers and ripe lush fruit, laid on high marble walls worn by the years and often stained with amorous drawings of two young lovers, intertwine with objects of modern daily life, such as a CD-ROM, a mouse, a spatula, which become the link between past, present and future; the surrounding landscape, almost always captured at dusk when the green ray greets the sun and welcomes the moon, emerges with even greater vigor what Zenerato bans on the marble slabs in the foreground, where a color increasingly vivid stands out ranging from red, to yellow, to green, and to all the warmer tones of the rainbow.
And the rainbow seems to overshadow the career of this young and promising artist, prose writer of art because he creates a style that is first poetic and then pictorial, with which he manages to represent what he feels by filtering ugliness and negativities that our world carries.
They have written about him or judged his works:

Paolo Levi, Paolo Rizzi, Giammarco Puntelli, Giorgio Grasso, Sergio Capellini, Pietro Gasperini, Francois Buisson, R. Boschi, Michele Nocera, Carlo Alberto Gobbetti, Antonella Gotti, Gianni Ingolia, Dino Pasquali, Umberto Zaccaria, Umberto Tessari, Ottorino Stefani, Giulio Gasparotti, Carlo Federico Teodoro, Carlo Rigoni, Giorgio Trevisan, Vera Meneguzzo, Claudio Radaelli, Grillo Biagio, Luca Dall’olio, Franco Brescianini, Giovanni B. Bianchini, Mara Frignani, Aldo Tavella, Angelo Marchiori, Walter Coccetta, Paolo Baratella, Luciano Chinese, Luigi Consonni, Giuseppe Possa, Silvano Valentini, Siro Perin, Alfredo Pasolino etc.

He collaborated with the following galleries:

Galleria Cd Studio d'Arte
Galleria New Dimensione Arte
Galleria Emmediarte
Galleria La Spadarina
Galleria l'Artista
Galleria Arttime
Galleria Orler