Raymond Pettibon (1957) - No Title (Boston Brave), 2017






Posiada magistra historii sztuki; ponad 10 lat doświadczenia w aukcjach i galeriach.
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Raymond Pettibon, No Title (Boston Brave), 2017, limitowana edycja druku cyfrowego (oprawa 250) w stylu sztuki konceptualnej, 81 × 20 cm, 150 g, kraj pochodzenia Kanada, niepodpisany, w doskonałym stanie.
Opis od sprzedawcy
W tej drugiej współpracy z Raymondem Pettibonem, THE SKATEROOM bada prace artysty o tematyce baseballowej, aby wydać dwie limitowane edycje po 250 egz., No Title (The raised hands…), 2013, i No Title (Boston Brave), 2017. Dzięki tym wizjom widzowie obserwują zdolność Pettibona do zawężania ruchu do jednego momentu zamarłego w czasie.
Prz present works depicts the baseball player, Warren Spahn, in the middle of throwing a left-handed pitch. The image illustrates Pettibon's fascination with the visual language of this archetypal American sport, which is a common theme in his work. As Raymond explains, "to draw someone with a wetsuit or a tight, double-knit baseball outfit doesn't lend itself to what I'm looking to describe. It's just one snapshot; I'm trying to depict something that is an action. If you draw a baseball player, for instance, with the old-time baggy flannels, you can depict the action better than you can with something that looks painted on to his body. […] But it's also meant to go back in time to when baseball had a more of a larger-than-life epic quality."
W tej drugiej współpracy z Raymondem Pettibonem, THE SKATEROOM bada prace artysty o tematyce baseballowej, aby wydać dwie limitowane edycje po 250 egz., No Title (The raised hands…), 2013, i No Title (Boston Brave), 2017. Dzięki tym wizjom widzowie obserwują zdolność Pettibona do zawężania ruchu do jednego momentu zamarłego w czasie.
Prz present works depicts the baseball player, Warren Spahn, in the middle of throwing a left-handed pitch. The image illustrates Pettibon's fascination with the visual language of this archetypal American sport, which is a common theme in his work. As Raymond explains, "to draw someone with a wetsuit or a tight, double-knit baseball outfit doesn't lend itself to what I'm looking to describe. It's just one snapshot; I'm trying to depict something that is an action. If you draw a baseball player, for instance, with the old-time baggy flannels, you can depict the action better than you can with something that looks painted on to his body. […] But it's also meant to go back in time to when baseball had a more of a larger-than-life epic quality."
