印度 - 耆那教 黄铜，一种铜合金，可能富含锌。 耆那教供奉性的祭坛，五圣地献给马哈维拉，亦称毗达摩，第三十四位？ - 13 cm
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印度教 Jaïn 祈福祭坛，Pāñcatīrthika 型式，供奉 Mahāvīra（Vardhamāna），纪年 Vikrama Saṃvat 1862（约公元1805–1806），黄铜镀金材质，中心为正面坐姿 Mahāvīra，左右各有一位四位 Tirthankara 站立，总高13 cm，宽9 cm，厚4.5 cm，重515 g，状态非常好，来源 RM Lefevre 收藏，自收藏者之遗孀于2025年购得。
AI辅助摘要
卖家的描述
Remarkable domestically votive Jain altar of the Pāñcatīrthika type, made in yellow bronze, an alloy probably rich in zinc.
The central figure represents Mahāvīra, also named Vardhamāna, the twenty-fourth Tirthankara. He is depicted facing front, seated in meditation, legs crossed and hands joined in the lap in dhyānamudrā.
Mahāvīra is surrounded by four secondary Tirthankaras standing in kāyotsarga, arranged symmetrically two by two. The presence of these five Jinas justifies the designation of the composition Pāñcatīrthika.
The main figure is placed in a deep architectural niche, under a projecting canopy decorated with triangular pendants. The upper part presents a stylized honorific parasol, two elephants facing the central axis, and a crown finished with a conical pinnacle.
The whole is inscribed in a large openwork torana-prabhāvalī, whose regular openings and the different architectural registers evoke the façade of a miniature shrine. The plinth includes a small central edicule housing a meditating figure, accompanied by several secondary figures in devotional postures.
Under the throne appear two lions facing each other. These animals belong to the vocabulary of the sacred throne and also constitute the lāñchana, or traditional emblem, of Mahāvīra. A favourable oval mark visible at the center of the chest can be interpreted as a vernacular representation of the śrīvatsa, a traditional sign associated with Jinas.
The reverse bears a long dedicatory inscription engraved in the metal after casting, presumably at the time of finishing and consecration of the altar. The reading retained identifies the name Vardhamāna and the date Vikrama Saṃvat 1862, corresponding to 1805-1806 of our era, depending on the month and local conversion system.
The work can be attributed to western India, probably Gujarat or Rajasthan, and belongs to the tradition of small domestic Jain shrines produced at the beginning of the 19th century.
Patina
The patina is one of the main interests of this piece.
The surface shows an ancient, complex and stratified patina, combining olive, golden-brown and deep green tones with reddish-pink deposits preserved in the recesses. The raised reliefs are smoother and brighter, while the protected areas retain old oxidations and deposits.
This surface is particularly distinctive compared with patinas commonly observed on small Jain votive altars of this category.
The piece has been preserved exactly in the state in which it was acquired. It has not been cleaned or polished by Mimosa SA.
Condition
Very good condition.
Intact piece, stable and complete, with no restoration, solder, crack or movable element.
The joints, contour irregularities and thickness variations are inherent to casting and artisanal fabrication of the work. The deposits, oxidations and surface variations are compatible with its age and history of use.
Dimensions
Height: 13 cm
Width: 9 cm
Maximum thickness: 4.5 cm
Weight: 515 g
Provenance
RM Lefevre Collection, formed between 1979 and 2009.
Acquired directly from the collector’s widow by Mimosa SA in 2025.
Documentation
The work is accompanied by a certificate of authenticity and a complete illustrated study, established by Olivier Maréchal for Mimosa SA after direct physical examination of the piece and cross-checking with high-definition photographs, video, specialized documentation and museum comparisons.
A museum comparison particularly close in dimensions as well as architectural and iconographic composition is kept at the University of New England Museum of Antiquities, under inventory number MA1997.21.1.
Shipping
The work will be carefully packed and shipped with tracking and insurance. When sending, the buyer will receive a complete file including the real transport cost, tracking information, the certificate, related documents and useful photographs.
For transparency, when the amount paid by the buyer for shipping exceeds the actual charged cost, the difference is automatically refunded as soon as the sale is settled by Catawiki. This procedure has already been applied several times and constitutes a constant commitment of Mimosa SA to its buyers.
Link Video : https://www.dropbox.com/scl/fo/5nlz55m3zyqoz7tidb2g9/ABN6YDK1owxdyaA4xK1e_Sk?rlkey=jo5vk59bry9jg91p2sj7j0yqz&dl=0
卖家故事
MIMOSA SA — 专业能力、研究与传承
二十六年多来，我一直从事专注于亚洲古代艺术的艺术品买卖工作。我的工作不仅是提供物件，更是观察、理解、研究并在传给新藏家之前对其进行记录与归档。
Mimosa SA所呈现的每一件作品都经过深入评估。根据其性质，这项研究可能涉及象征图像、风格、比例、材料、制作技法、表面痕迹、包漆、保存状况、修复、来源以及相关的书籍、博物馆或考古学比较。必要时，还可进行补充的科学分析。
我们的方法基于对艺术品直观观察的经验，这些经验来自二十多年直接接触作品的经历，同时也建立在系统化且持续更新的研究之上。我们始终优先采用谨慎、连贯且有论据支撑的归属判断，而非被吸引力强但论证不足的断言。
透明性是我们工作核心。磨损、缺损、意外、旧修复或较新干预都会尽可能准确地披露。当某一归属存在不确定性或仅为工作假设时，会明确标注为“尚待确认”的状态。
自2016年起，我们在Catawiki上保持定期精选的作品，以便与关注真诚性、知识性及文献资料质量的国际藏家相遇。
每一件购入的作品均附有由我们承担责任并出具的真伪证书。对重要作品，这一证书将形成一个完整的研究档案，汇集我们研究过程中所做的主要技术、风格、象征、历史与书目观察。
对运输也同样要求严格。多年来，我们已开发出一套针对古物、易碎、体积庞大或造型复杂物件的包装方法。每件作品都得到周密的保护、固定与包装，依据其材料特性与个体特征来制定。运输费对应实际的保护、搬运、保险与安全运输需求。运输从不被视为商业利润的来源。
通过 Mimosa SA 购买一件作品，等同于获得经过筛选、研究、描述、记录与精心准备的物件，其用心程度不亚于我们为自有收藏所追求的标准。
使用Google翻译翻译Remarkable domestically votive Jain altar of the Pāñcatīrthika type, made in yellow bronze, an alloy probably rich in zinc.
The central figure represents Mahāvīra, also named Vardhamāna, the twenty-fourth Tirthankara. He is depicted facing front, seated in meditation, legs crossed and hands joined in the lap in dhyānamudrā.
Mahāvīra is surrounded by four secondary Tirthankaras standing in kāyotsarga, arranged symmetrically two by two. The presence of these five Jinas justifies the designation of the composition Pāñcatīrthika.
The main figure is placed in a deep architectural niche, under a projecting canopy decorated with triangular pendants. The upper part presents a stylized honorific parasol, two elephants facing the central axis, and a crown finished with a conical pinnacle.
The whole is inscribed in a large openwork torana-prabhāvalī, whose regular openings and the different architectural registers evoke the façade of a miniature shrine. The plinth includes a small central edicule housing a meditating figure, accompanied by several secondary figures in devotional postures.
Under the throne appear two lions facing each other. These animals belong to the vocabulary of the sacred throne and also constitute the lāñchana, or traditional emblem, of Mahāvīra. A favourable oval mark visible at the center of the chest can be interpreted as a vernacular representation of the śrīvatsa, a traditional sign associated with Jinas.
The reverse bears a long dedicatory inscription engraved in the metal after casting, presumably at the time of finishing and consecration of the altar. The reading retained identifies the name Vardhamāna and the date Vikrama Saṃvat 1862, corresponding to 1805-1806 of our era, depending on the month and local conversion system.
The work can be attributed to western India, probably Gujarat or Rajasthan, and belongs to the tradition of small domestic Jain shrines produced at the beginning of the 19th century.
Patina
The patina is one of the main interests of this piece.
The surface shows an ancient, complex and stratified patina, combining olive, golden-brown and deep green tones with reddish-pink deposits preserved in the recesses. The raised reliefs are smoother and brighter, while the protected areas retain old oxidations and deposits.
This surface is particularly distinctive compared with patinas commonly observed on small Jain votive altars of this category.
The piece has been preserved exactly in the state in which it was acquired. It has not been cleaned or polished by Mimosa SA.
Condition
Very good condition.
Intact piece, stable and complete, with no restoration, solder, crack or movable element.
The joints, contour irregularities and thickness variations are inherent to casting and artisanal fabrication of the work. The deposits, oxidations and surface variations are compatible with its age and history of use.
Dimensions
Height: 13 cm
Width: 9 cm
Maximum thickness: 4.5 cm
Weight: 515 g
Provenance
RM Lefevre Collection, formed between 1979 and 2009.
Acquired directly from the collector’s widow by Mimosa SA in 2025.
Documentation
The work is accompanied by a certificate of authenticity and a complete illustrated study, established by Olivier Maréchal for Mimosa SA after direct physical examination of the piece and cross-checking with high-definition photographs, video, specialized documentation and museum comparisons.
A museum comparison particularly close in dimensions as well as architectural and iconographic composition is kept at the University of New England Museum of Antiquities, under inventory number MA1997.21.1.
Shipping
The work will be carefully packed and shipped with tracking and insurance. When sending, the buyer will receive a complete file including the real transport cost, tracking information, the certificate, related documents and useful photographs.
For transparency, when the amount paid by the buyer for shipping exceeds the actual charged cost, the difference is automatically refunded as soon as the sale is settled by Catawiki. This procedure has already been applied several times and constitutes a constant commitment of Mimosa SA to its buyers.
Link Video : https://www.dropbox.com/scl/fo/5nlz55m3zyqoz7tidb2g9/ABN6YDK1owxdyaA4xK1e_Sk?rlkey=jo5vk59bry9jg91p2sj7j0yqz&dl=0
卖家故事
MIMOSA SA — 专业能力、研究与传承
二十六年多来，我一直从事专注于亚洲古代艺术的艺术品买卖工作。我的工作不仅是提供物件，更是观察、理解、研究并在传给新藏家之前对其进行记录与归档。
Mimosa SA所呈现的每一件作品都经过深入评估。根据其性质，这项研究可能涉及象征图像、风格、比例、材料、制作技法、表面痕迹、包漆、保存状况、修复、来源以及相关的书籍、博物馆或考古学比较。必要时，还可进行补充的科学分析。
我们的方法基于对艺术品直观观察的经验，这些经验来自二十多年直接接触作品的经历，同时也建立在系统化且持续更新的研究之上。我们始终优先采用谨慎、连贯且有论据支撑的归属判断，而非被吸引力强但论证不足的断言。
透明性是我们工作核心。磨损、缺损、意外、旧修复或较新干预都会尽可能准确地披露。当某一归属存在不确定性或仅为工作假设时，会明确标注为“尚待确认”的状态。
自2016年起，我们在Catawiki上保持定期精选的作品，以便与关注真诚性、知识性及文献资料质量的国际藏家相遇。
每一件购入的作品均附有由我们承担责任并出具的真伪证书。对重要作品，这一证书将形成一个完整的研究档案，汇集我们研究过程中所做的主要技术、风格、象征、历史与书目观察。
对运输也同样要求严格。多年来，我们已开发出一套针对古物、易碎、体积庞大或造型复杂物件的包装方法。每件作品都得到周密的保护、固定与包装，依据其材料特性与个体特征来制定。运输费对应实际的保护、搬运、保险与安全运输需求。运输从不被视为商业利润的来源。
通过 Mimosa SA 购买一件作品，等同于获得经过筛选、研究、描述、记录与精心准备的物件，其用心程度不亚于我们为自有收藏所追求的标准。
使用Google翻译翻译详细资料
文化
India - Jain
世纪/时段
Daté Vikrama Saṃvat 1862, soit 1805-1806
Name of object
Jain Pancha-Tirthika votive altar dedicated to Mahavira, also called Vardhamana, the 24th
获得来源
私人收藏
获得年份
2025
材质
Yellow bronze, a copper alloy probably rich in zinc.
获得国家
比利时
状态
很好 +
前任拥有者获得来源
画廊/古董商
Height
13 cm
前任拥有者获得年份
1979
Width
9 cm
前任拥有者获得国家
比利时
深度
4,5 cm
我确认我合法获得此物品，并且我有权将它出售
是的
真伪
原始的/正式的
免责声明
卖家已就文件要求收到了Catawiki的通知并保证以下内容： - 该物品是合法获得的， - 卖家有权出售和/或出口该物品（如适用）， - 卖家将提供必要的出处或来源地信息，并根据当地法律安排所需的文件和许可证/执照， - 如果在获取许可证/执照方面出现任何延误，卖家将通知买家。 出价竞投，表明您知晓根据您居住的国家和地区可能会被需要提供进口文件，以及获得许可证/执照可能会导致物品交付的延迟。
卖家已就文件要求收到了Catawiki的通知并保证以下内容： - 该物品是合法获得的， - 卖家有权出售和/或出口该物品（如适用）， - 卖家将提供必要的出处或来源地信息，并根据当地法律安排所需的文件和许可证/执照， - 如果在获取许可证/执照方面出现任何延误，卖家将通知买家。 出价竞投，表明您知晓根据您居住的国家和地区可能会被需要提供进口文件，以及获得许可证/执照可能会导致物品交付的延迟。
