咖啡桌 - 缟玛瑙, 金属 - 半透明的橙色玛瑙





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卖家的描述
Belgian coffee table in gilded metal, probably brass and bronze, with a richly decorated neoclassical framework and an extraordinary orange translucent calcite onyx top with black, white and gray veins. Louis XVI Revival / Hollywood Regency style, Belgium, circa 1950–1960. Dimensions: 47 × 100 × 50 cm.
Elegant and particularly unusual Belgian 20th-century coffee table, consisting of a gilded metal frame in neoclassical inspiration, crowned by an extraordinary rectangular top in natural translucent orange onyx.
The top is indisputably the most important element of the piece. The stone shows an intense orange-amber/caramel hue, traversed by a complex network of black, gray and white veins, forming a naturally strong graphical design. Its appearance approaches varieties commercially known as Orange Onyx with Black Vein, precisely characterized by a deep orange background, dramatic black veins and light streaks. Each slab of this material is naturally unique.
The most exceptional feature is its translucency: when backlit, the top gains an extraordinary internal luminosity, shifting from the observed brown‑orange tones without illumination to a vivid golden amber, while the dark veins become more defined. This property is characteristic of calcitic onyx and explains its contemporary use in luxury interiors and retro‑illuminated surfaces. Technically, it is an ornamental calcitic stone - the so‑called onyx marble - and not the siliceous onyx used in jewelry.
The base presents a neoclassical language inspired by Louis XVI/Empire, with a decorative upper band featuring a regular succession of relief oval motifs, two architectural supports with fluted and botanical elements, blocks adorned with rosettes and four long curved feet enriched with acanthus and scrollwork. The two supports are linked by an elegant fluted horizontal beam, reinforcing the symmetry and architectural character of the composition. The gilded finish shows a pleasing patina, highlighting the depth of the fused and chiseled elements.
The combination of translucent natural stone and classic brass or bronze structures was particularly appreciated in European luxury production.
Shows signs of use and patina consistent with age. The color variations, lines, veining and small irregularities visible in the onyx are part of the stone’s natural formation and decisively contribute to the piece’s unique character. Tiny chips, mainly at the corners, caused by use, do not affect the structure.
Origin: Belgium
Era: mid-20th century, circa 1950–1960
Style: Neoclassical / Louis XVI Revival, with Hollywood Regency influence
Materials: natural orange calcitic onyx (orange onyx / onyx marble); gilded metal, probably cast brass and/or bronze
Dimensions: 47 × 100 × 50 cm
Belgian coffee table in gilded metal, probably brass and bronze, with a richly decorated neoclassical framework and an extraordinary orange translucent calcite onyx top with black, white and gray veins. Louis XVI Revival / Hollywood Regency style, Belgium, circa 1950–1960. Dimensions: 47 × 100 × 50 cm.
Elegant and particularly unusual Belgian 20th-century coffee table, consisting of a gilded metal frame in neoclassical inspiration, crowned by an extraordinary rectangular top in natural translucent orange onyx.
The top is indisputably the most important element of the piece. The stone shows an intense orange-amber/caramel hue, traversed by a complex network of black, gray and white veins, forming a naturally strong graphical design. Its appearance approaches varieties commercially known as Orange Onyx with Black Vein, precisely characterized by a deep orange background, dramatic black veins and light streaks. Each slab of this material is naturally unique.
The most exceptional feature is its translucency: when backlit, the top gains an extraordinary internal luminosity, shifting from the observed brown‑orange tones without illumination to a vivid golden amber, while the dark veins become more defined. This property is characteristic of calcitic onyx and explains its contemporary use in luxury interiors and retro‑illuminated surfaces. Technically, it is an ornamental calcitic stone - the so‑called onyx marble - and not the siliceous onyx used in jewelry.
The base presents a neoclassical language inspired by Louis XVI/Empire, with a decorative upper band featuring a regular succession of relief oval motifs, two architectural supports with fluted and botanical elements, blocks adorned with rosettes and four long curved feet enriched with acanthus and scrollwork. The two supports are linked by an elegant fluted horizontal beam, reinforcing the symmetry and architectural character of the composition. The gilded finish shows a pleasing patina, highlighting the depth of the fused and chiseled elements.
The combination of translucent natural stone and classic brass or bronze structures was particularly appreciated in European luxury production.
Shows signs of use and patina consistent with age. The color variations, lines, veining and small irregularities visible in the onyx are part of the stone’s natural formation and decisively contribute to the piece’s unique character. Tiny chips, mainly at the corners, caused by use, do not affect the structure.
Origin: Belgium
Era: mid-20th century, circa 1950–1960
Style: Neoclassical / Louis XVI Revival, with Hollywood Regency influence
Materials: natural orange calcitic onyx (orange onyx / onyx marble); gilded metal, probably cast brass and/or bronze
Dimensions: 47 × 100 × 50 cm

