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Ruth Garrido Vila

ITEM: HUGE Stamnos
MATERIAL: Pottery
CULTURE: Etruscan
PERIOD: 5th - 4th Century B.C
DIMENSIONS: 240 mm x 280 mm x 220 mm
CONDITION: Good condition
PROVENANCE: Ex European private collection, Ex Galerie Hydra (1985)

The Etruscan stamnos is a distinctive pottery form that highlights the sophisticated cultural exchange between ancient Etruria and Greece. Originally a Greek shape used primarily for storing and mixing wine, the stamnos was adopted and refined by Etruscan potters and painters between the 5th and 4th centuries BCE. Characterized by its high shoulders, short neck, and two horizontal handles attached to the widest part of the body, the Etruscan version often mirrored the proportions of Attic imports while incorporating local stylistic flourishes and clay compositions, such as the dark, lustrous bucchero or local red-figure techniques.

In Etruscan society, these vessels were far more than mere kitchenware; they were central to the communal rituals of the banquet and the prestige of the afterlife. Archaeologists frequently recover stamnoi from wealthy tomb sites, where they served as grave goods intended to provide the deceased with the tools for eternal celebration. The iconography found on these jars often depicts scenes of mythology, athletic competition, or funerary processions, serving as a visual narrative of the owner's status and religious beliefs. The presence of a stamnos in a burial was a clear indicator of the individual's membership in the aristocratic elite.

Technologically, the production of the stamnos demonstrated the high level of craftsmanship present in Etruscan workshops, particularly in centers like Vulci and Tarquinia. While early examples were heavily influenced by the "Vulcani" style and Greek black-figure traditions, later Etruscan stamnoi evolved to feature bolder, more expressive figures and unique decorative motifs like stylized palmettes and lotus buds. The transition from imported Greek pieces to locally manufactured Etruscan stamnoi marks a pivotal moment in Mediterranean art history, illustrating how a "borrowed" object can be reinterpreted to define a unique regional identity.

Comes with Certificate of Authenticity and European Union export license

If you bid outside European Union and win the item, we must request a new export license to your country and the shipment will delay between 3 - 5 weeks.

5th - 4th Century B.C

Etrusker Keramik HUGE Stamnos

Smykker

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Ingen mindstepris

Køb nu

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Slutdato

i morgen

søndag

i dag

mandag

onsdag

tirsdag

12 juli

torsdag

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Som ny, ubrugt uden original emballage

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Certificering

Ingen laboratorierapport

International Gemological Institute (IGI)

HRD Antwerpen

Gemmological Centre Israel (G.C.I.)

Gemewizard Gemological Laboratory (GWLab)

Antwerp Laboratory for Gemstone Testing (ALGT)

Gemological Institute of America (GIA)

GEM-TECH Istituto Gemmologico

Gemmologisches Labor Düsseldorf

Perlevidenskabslaboratorium

International Gemological Science Laboratories (IGSL)

Gemological International Laboratories (GIL)

Lotus Gemology

GFCO Gem Lab

Instituto Gemólogico Español (IGE)

Istituto Gemmologico Italiano (IGI)

Istituto Gemmologico Nazionale (IGN)

World Gemological Institute (WGI)

Smykker

Denne genstand er ikke længere tilgængeligt, men der er stadig meget at udforske

Etrusker Keramik HUGE Stamnos

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