Kunst

Interiør og dekoration

Smykker og ædelstene

Ure, kuglepenne og lightere

Mode

Mønter og frimærker

Tegneserier og animation

Klassiske Biler, Motorcykler og automobilia

Vin, whisky og spiritus

Asiatisk Kunst og stammekunst

Byttekort

Legetøj og modeller

Arkæologi og naturhistorie

Sport

Musik, film og kameraer

Bøger og historiske memorabilia

A large number of unpublished black-and-white prints were discovered during preparations for the exhibition "Takuma Nakahira: Return to His Roots - Yokohama," held at the Yokohama Museum of Art in 2003.
Many of these photographs, some of which were exhibited at the exhibition, were taken in the Yokohama suburbs where Nakahira lived, and are thought to have been taken between 1978 and the late 1980s.
At the time, Nakahira would walk around his neighborhood or ride his bike, take photos, and then print them himself every day at sunrise.
From that vast collection of prints, this book selects only those "photos that feature cars" or "photos that also feature cars," and binds them into a huge number of pages.
This photo book attempts to understand Takuma Nakahira, perhaps one of the most unique photographers/critics in the world, not through words, but through photographs.

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About the Author
Takuma Nakahira

Born in 1938. After graduating from the Department of Spanish Studies at Tokyo University of Foreign Studies, he worked as an editor for the general magazine Gendai no Me (Modern Eyes), before starting to take photographs in the mid-1960s and writing about photography and film at the same time. In 1968-69, he published the photography fanzine Provoke, billed as "provocative material for thought," along with Koji Taki, Yutaka Takanashi, Takahiko Okada, and Daido Moriyama. After publishing the photo book For the Coming Words in 1970, he critically examined his previous work in the video theory collection Why Botanical Encyclopedia (Why Botanical Encyclopedia?) in 1973. Shortly after publishing Duel Photography Theory, co-authored with Kishin Shinoyama in 1977, he fell ill and lost most of his memory, wandering between life and death. He resumed his work as a photographer the following year, publishing the photo books A New Gaze (1983) and Adieu à X (1989). In 2003, his first retrospective, "Takuma Nakahira: Return to the Basics - Yokohama" (Yokohama Museum of Art), was held, once again drawing great attention. Since then, he has held solo exhibitions of new works and participated in group exhibitions both in Japan and abroad. In 2012, he published "Circulation - Date, Place, Action," and the following year held a solo exhibition of the same series in New York.

Fotografi - Antal: 1 - Bog

Takuma Nakahira - 1000 - 2003

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Holland

Spanien

Frankrig

Belgien

Tyskland

Portugal

Polen

Storbritannien

Japan

Rumænien

Ungarn

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Danmark

Letland

Bulgarien

Schweiz

Finland

Kroatien

Indien

Tyrkiet

Hongkong

Norge

Estland

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M (40–80 cm)

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XXL (over 160 cm)

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Massive

Jaipur Rugs

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Chaty Vallauris

Deknudt

Fornasetti-Milano

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Goyard

The Bridge

Fürstenberg

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Skulptur

Lampe

Lampebord

Vase

Tryk

Stol

Maleri

Armstol

Spejl

Lysekrone

Sofabord

Vægspejl

Figur

Pude

Bænk

Tæppe

Statue

Betrækstof

Tekstil

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Spadserstok

Lysestage

Hængende lampe

Oprindelsesland

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Asien

Afghanistan

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Indonesien

Egypten

Materiale

Træ

Glas

Messing

Metal

Porcelæn

Keramik

Bronze

Krystal

Læder

Jern

Stål

Bomuld

Harpiks

Marmor

Egetræ

Murano-glas

Forsølvet

Sten

Plast

Valnød

Aluminium

Uld på bomuld

Forgyldt messing

Fajance

Køn

Kvinder

Unisex

Tilstand

God stand - brugt med små tegn på aldring og mindre fejl

Som ny - ubrugt

Fremragende stand - næsten ikke brugt med minimalt tegn på aldring og slid

God stand - brugt med små tegn på aldring

fremragende stand

God stand

Rimelig stand -  brugt meget og mindre dele mangler muligvis

I meget god stand

A (glimrende - så god som ny stand)

Fremragende stand - knap brugt med minimalt tegn på slid

Rimelig stand

Rigtigt god stand - kun lidt brugt med små tegn på slid

Generelt i god stand

God stand, brugt med nogle tegn på slid

Som ny

Dårlig - brugt meget med store revner, skader eller manglende store dele

Meget god

Næsten som ny

Generelt i god stand med tegn på aldring og brug

A- (fin - ganske få skønhedsfejl)

Behov for restaurering

Rimelig

Yderst fin

Periode

2020+

1960-1970

1970-1980

1950-1960

1980-1990

1990-2000

2010-2020

1850-1900

2000-2010

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1900-1910

21. århundrede

1910-1920

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