MARTIN BRADLEY (Richmond, England, 1931), Untitled, 1992, from the "Suite Olympic Centennial". Title - Untitled, 1992, from the "Suite Olympic Centennial". Medium - Silkscreen on 270 gram Vélin d'Arches paper, Editition – Limited Edition Edition Number - Copy P.A. 35/50. Signature - Signed and justified by hand. Measurements - 90 x 63 cm. Condition – Excellent condition References: These serigraphs were made for the series published by the International Olympic Committee on the occasion of the centenary of modern Olympics in 1992. Printed in 1992 in celebration of the 100th anniversary of the Olympics games. All the prints in this collection are stamped by the Olympic committee. This collection of prints can be found in the permanent collection of the Olympic Museum in Lausanne. With a rebellious spirit, Martin Bradley began his career as an artist at a very early age, settling in London in 1949. In the mid 50's Bradley became friends with the writers of the group "The angry Young men", transcendental writers within the British literary renewal, meeting there other young painters, such as Phililip Martin or Alan Davie. In 1961 he received a scholarship to settle in Brazil, where he achieved great success and which led him to exhibit, on his return to Europe, in the historic exhibition "Arte e Contemplazione" at the Palazzo Grassi in Venice. After her success in Italy and Spain, Bradley traveled the world, crossing Turkey, Afghanistan, India and Nepal, becoming fascinated by the Far East. At first, the work of this artist presents a self-destructive tendency, although it evolves to works of fresh workmanship, vivid color, extreme fantasy and sympathetic appearance, resulting in works that are part of the English Pop movement. However, in contrast to this positivism, a series of graphics, signs and symbologies that allude to critiques of traditional customs and reflections on the passage of time are intuited, characteristics that make Bradley's paintings tremendously interesting works full of nuances.