Bernhard Jäger (1935) - offene Form





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Bernhard Jäger, kaldet „offene Form“, er en farvelithografisk tryk i begrænset oplag (66/100) med blandet teknik og et portræt, lavet i Tyskland i 1960’erne–1970’erne, underskrevet med blyant i nederste kant, billedmål 56 x 38 cm (ark 58 x 42 cm), i god stand og vejer 50 g.
Beskrivelse fra sælger
Medium: farvelithografi på papir
Datering: 70'erne
Genummerd: 66/100
Gesigneerd: med blyant underkanten
Conditie: I god stand
Getiteld: "offene Form"
Bladmaat: 58 x 42cm billedmål: 56 x 38cm.
Painter, printmaker, and sculptor Bernhard Jager was born in Munich on June 17, 1935. Jager first pursued biology from 1956 to 1957, a subject that influenced much of his art throughout his career, before switching to art studies at the Werkkunstschule Offenbach. After graduation in 1961 he co-founded the Gulliver-Presse with fellow lithographer Thomas Bayrle, beginning a secondary career as a publisher until the year 1966. One of the first books they published was by Ernst Jandl (Hosi-Anna!, 1965) and was illustrated with lithographs by both Bayrle and Jager.
Jager continued to illustrate books after the press came to an end. In 1970, 1984 and 1994 books illustrated by Jager were awarded the prize "Die schoensten Bucher des Jahres" by the Stiftung Buchkunst. In 2007 he designed thirty book covers for Jorge Juis Broges' "The Library of Babel" published by the Gutenberg Book Guild.
From 1983 to 1984 he was a guest lecturer at the Städelschule in Frankfurt am Main, and from 1985 onwards he headed their evening school until 2000. In 1990 he held a visiting professorship at the Hamburg University of Applied Sciences. Solo shows include: Klingspor Museum, Offenbach am Main (1968); Galerie Brusberg, Hanover (1972); AAA Associated American Artists, New York (1975); Mannheim Art Association, Mannheim (1977); Gunzenhauser Gallery, Munich (1985); Kunstverein Wetzlar, Wetzlar (1988); City Museum Ludwigshafen (1994); Klingspor Museum (2007); retrospective of paintings, drawings, woodcuts, and book art at the Speyer City Gallery (2016).
Group exhibitions include: "Writing and Picture," Stedelijk Museum, Amsterdam (1963); Exhibition of Art Prize for Youth, Baden-Baden Gallery (1963); Documenta III, Kassel (1964); "Signals, Manifestos, Protests," Kunsthalle Recklinghausen (1965); "Graphics '70, Germany," San Francisco Museum of Modern Art (1970); "German Graphic Design in the 20th Century," Kestnergesellschaft, Hanover (1995); "The Art of Printing With Stones," Klingspor Museum (1996); "Masterpieces of Lithography," Klingspor Museum (2017).
Bernhard Jager er medlem af Darmstadt Secession. I 1998 vandt han Prisen fra Heitland-Fonden. Arbejder i offentlige samlinger (udvalg): Stedelijk Museum, Amsterdam; Museum of Fine Arts, Boston; Rose Art Museum, Brunswick; San Francisco Museum of Art; Kunsthalle Nürnberg; Klingspor Museum, Offenbach
Medium: farvelithografi på papir
Datering: 70'erne
Genummerd: 66/100
Gesigneerd: med blyant underkanten
Conditie: I god stand
Getiteld: "offene Form"
Bladmaat: 58 x 42cm billedmål: 56 x 38cm.
Painter, printmaker, and sculptor Bernhard Jager was born in Munich on June 17, 1935. Jager first pursued biology from 1956 to 1957, a subject that influenced much of his art throughout his career, before switching to art studies at the Werkkunstschule Offenbach. After graduation in 1961 he co-founded the Gulliver-Presse with fellow lithographer Thomas Bayrle, beginning a secondary career as a publisher until the year 1966. One of the first books they published was by Ernst Jandl (Hosi-Anna!, 1965) and was illustrated with lithographs by both Bayrle and Jager.
Jager continued to illustrate books after the press came to an end. In 1970, 1984 and 1994 books illustrated by Jager were awarded the prize "Die schoensten Bucher des Jahres" by the Stiftung Buchkunst. In 2007 he designed thirty book covers for Jorge Juis Broges' "The Library of Babel" published by the Gutenberg Book Guild.
From 1983 to 1984 he was a guest lecturer at the Städelschule in Frankfurt am Main, and from 1985 onwards he headed their evening school until 2000. In 1990 he held a visiting professorship at the Hamburg University of Applied Sciences. Solo shows include: Klingspor Museum, Offenbach am Main (1968); Galerie Brusberg, Hanover (1972); AAA Associated American Artists, New York (1975); Mannheim Art Association, Mannheim (1977); Gunzenhauser Gallery, Munich (1985); Kunstverein Wetzlar, Wetzlar (1988); City Museum Ludwigshafen (1994); Klingspor Museum (2007); retrospective of paintings, drawings, woodcuts, and book art at the Speyer City Gallery (2016).
Group exhibitions include: "Writing and Picture," Stedelijk Museum, Amsterdam (1963); Exhibition of Art Prize for Youth, Baden-Baden Gallery (1963); Documenta III, Kassel (1964); "Signals, Manifestos, Protests," Kunsthalle Recklinghausen (1965); "Graphics '70, Germany," San Francisco Museum of Modern Art (1970); "German Graphic Design in the 20th Century," Kestnergesellschaft, Hanover (1995); "The Art of Printing With Stones," Klingspor Museum (1996); "Masterpieces of Lithography," Klingspor Museum (2017).
Bernhard Jager er medlem af Darmstadt Secession. I 1998 vandt han Prisen fra Heitland-Fonden. Arbejder i offentlige samlinger (udvalg): Stedelijk Museum, Amsterdam; Museum of Fine Arts, Boston; Rose Art Museum, Brunswick; San Francisco Museum of Art; Kunsthalle Nürnberg; Klingspor Museum, Offenbach

