Max Modolo - Vase - Stentøj - Biomorfisk vase 1





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Biomorf vase 1 af Max Modolo, et stengods-stykke fra Italien i moderne rustik stil, med sprængt kant og tekstureret glasur i hvid-agtig creme med mineral gyldne dryp, diameter 19 cm, højde 25 cm, dybde 18 cm, bredde 19 cm, vægt 2,2 g, dateret 2010–2020 og i ny stand.
Beskrivelse fra sælger
Max Modolo - Biomorfisk Vase 1
Style: Modern, Italian/Japanese, Wabi-Sabi, Imperfection, Calm, Minimalism, Natural materials, Earthy color palette.
Stoneware. Brændingstemperatur 1240°C. Biomorfisk vase med en sprængt kant. Struktureret glasur i nuancer af hvid, elfenben og creme. Minerale gyldne drypp og krater.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”
Max Modolo - Biomorfisk Vase 1
Style: Modern, Italian/Japanese, Wabi-Sabi, Imperfection, Calm, Minimalism, Natural materials, Earthy color palette.
Stoneware. Brændingstemperatur 1240°C. Biomorfisk vase med en sprængt kant. Struktureret glasur i nuancer af hvid, elfenben og creme. Minerale gyldne drypp og krater.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”

