Max Modolo - Vase - Stentøj - Carbon Vase





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Carbon Vase, en stentøjs biomorf vase i sort med tekstureret glasur og minerale gyldent dråper, 17 cm bred, 22 cm høj, 17 cm dyb, fremstillet i Italien, moderne rustik stil, bagt ved 1240°C, i som ny stand.
Beskrivelse fra sælger
Stil: Moderne, italiensk/japansk, wabi-sabi, ufuldkommenhed, ro, minimalisme, naturlige materialer, jorden farvepalet
Stentøj. Brændingstemperatur 1240°C. Biomorf vase med eksploderet kant. Teksturglaser i nuancer af sort og mørkegrå. Minerale gyldne dryp og kratre.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”
Stil: Moderne, italiensk/japansk, wabi-sabi, ufuldkommenhed, ro, minimalisme, naturlige materialer, jorden farvepalet
Stentøj. Brændingstemperatur 1240°C. Biomorf vase med eksploderet kant. Teksturglaser i nuancer af sort og mørkegrå. Minerale gyldne dryp og kratre.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”

