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Udviklingen af moderne kunst, bragt til dig af {name}

Kai Brückner

The Namib Desert, one of the oldest on Earth, holds a hidden treasure among its majestic red sand dunes: the skeletal remains of Deadvlei's acacia trees.

My deep passion for trees drew me to this remote and fascinating place, to capture the timeless elegance of these extraordinary specimens. Their beauty is at times melancholic, and I chose to represent it in black and white to enhance the simplicity of their forms. 
These trees invite us to an intimate reflection on time, fragility, and the eternal beauty of nature.
This photograph belongs to my new series "Dust, Elegance, Time", which received an Honorable Mention at the prestigious Monovision Awards.

The print is produced in 29.7 x 42 cm format (A3) on Hahnemühle Museum Etching paper, a premium fine art paper that ensures extraordinary detail and long-term preservation. The work includes a 2.5 cm white passepartout and is printed in my studio using a Canon Pro-1000 professional printer with Lucia Pro inks to ensure maximum color fidelity.

This photograph is part of a limited edition of 30 copies available from copy 1/30 printed in October 2025, created in April 2024.

Each piece is personally printed, numbered and signed, guaranteeing not only high quality but also a deep connection between the creative process and the final work. The print comes with a Hahnemühle certificate of authenticity with holographic seal.

Available in other sizes.


ABOUT ME
My name is Stefano Balma and I am a landscape photographer from Genoa, Italy, in 1988. In every phase of my life I have dedicated myself to some form of art, first with drawing, then with music and in 2019 I encountered photography, on the occasion of my first great trip in Morocco.

Nature has always been my main subject, but over the years I have tried to include more introspective themes in my shots, which have always been very important in my life. Attending a Buddhist community in the area, I developed a particular sensitivity towards themes such as impermanence and the flow of existence, which I have progressively tried to represent through rocks eroded by wind, the mutability of arctic landscapes and the movement of the trees.

Since 2023 I've started collaborations with FotoCorsi school as a tutor for photographic trips, and with the Cinque Rosso gallery for the sale of my shots.

EXPOSURES
- 2023, Fiera dell'accoglienza di Rimini (Hospitality Fair, Rimini, Italy)
- 2024, Lezar House, Barcellona (Spain) - Collective exhibition
- 2025, Montanari optics, Genova (Italy) - personal exposure
- 2025, Salotto 42, Rome (Italy) - Collective exhibition 

AWARDS
- Honorable Mention at the Tokyo International Foto Awards (2022)
- Honorable Mention at the International Photography Awards (2022)
- Top 35 in the landscape category of the 35AWARDS (2022)
- Second place at the Fine Art Photography Awards, professional category (2023)
- Third prize at the Prix de la Photographie de Paris (2023)
- Honorable Mention at the Fine Art Awards (2025)
- Honorable Mention at the Monovisions awards (2025)

PUBLICATIONS
- 2025 March, published on Elements Photo magazine
- 2025 July, published on Fotocult

Kunstprint - Håndunderskrevet - 1/30 - 2025

Stefano Balma - Dust, Elegance, Time 1

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C-print - Signeret - 2026

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Susana Galbis - Fragility is not a shadow

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Digitaltryk, Giclée - Håndunderskrevet - Serie med 6 tal - 6/50

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Digitaltryk - Håndunderskrevet - 1/5 - 2022

Oliver Hadji - Pool

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Stefano Balma - Dust, Elegance, Time 1

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