No. 94341951

Joan Miró, (after) - L’oiseau au regard calme les agile en flammes - Achenbach licensed offset print - ** NO RESERVE **
No. 94341951

Joan Miró, (after) - L’oiseau au regard calme les agile en flammes - Achenbach licensed offset print - ** NO RESERVE **
Offset lithograph after Joan Miró (*)
Reproduction of the work “L’oiseau au regard calme les ales en flammes” by Miró in 1952 and part of the collection of the Staatsgalerie in Stuttgart.
Edited on Fine Art cardboard (200g).
Published by Achenbach Art Edition, Düsseldorf.
Authorized print with copyright and legal serial number.
Large Format.
- Sheet dimensions: 70.5 x 90 cm
- Year: 1988
- Condition: Excellent (this work has never been framed or displayed, always kept in a professional art folder, so it is preserved in perfect condition).
- Provenance: Private collection.
The artwork will be carefully handled and packaged in a reinforced cardboard box. Shipping will be certified with a tracking number.
The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.
(*) Joan Miró (1893-1983) was born in Barcelona, but his emotional landscapes, which would shape him as a person and artist, were essentially Mont-roig, Paris, Mallorca and later New York and Japan. Mont-roig, a small town in the Baix Camp region, would be the counterpoint to the intellectual agitation he experienced in Paris in the 1920s alongside the surrealist poets, and to the stimulus of abstract expressionism that he discovered in New York in the 1940s. Later, in the midst of the Second World War, Joan Miró would abandon his exile in France and settle in Palma de Mallorca, a place of refuge and work, where his friend Josep Lluís Sert would design the studio he had always dreamed of.
His attachment to the landscape of Mont-roig first, and then to that of Mallorca, would be decisive in his work. The link with the land and the interest in everyday objects and the natural environment would be the background for some of his technical and formal research. Miró fled from academicism, constantly seeking a global and pure work, not attached to any particular movement. Contained in forms and public demonstrations, it is through the plastic act that Joan Miró shows his rebellion and a great sensitivity to the political and social events that surrounded him. This contrast of forces would lead him to create a unique and highly personal language that places him as one of the most influential artists of the 20th century.
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