No. 96143438

Attila Kovacs () - Composition
No. 96143438

Attila Kovacs () - Composition
Attila Kovacs: Linear Construction
Medium: Silkscreen
Material: Paper
Dimensions: x cm framed x x
Editor: Edition Panderma, Basel
Year:
Signature: Signed and dated
Comes with frame and passepartout
Provenance:
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel
Condition / Restauration:
archival condition, placed on black cardboard ( x cm)
Further Information:
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of editions ( hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in , and containing a total of approximately art pieces which provide an account of the artistic avant-garde scene between the s and s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
Attila Kovács was born in , in Budapest and emigrated to West Germany in . He graduated from the Department of Art at the Staatliche Akademie der Bildenen Künste in . Kovács had many international solo and group shows including a retrospective exhibition at the Kunsthalle Budapest in . He was a senior lecturer of the Painting Department at the Hungarian University of Fine Arts between and and in he became a Doctor of Liberal Arts. In he moved back to Budapest where he died in .
Between and Attila Kovács created a unique artistic language he named “Frame of Reference” or “Transmuting Plasticity”, where he built his own system of non-Euclidean sequential geometric abstraction along mathematical coordinates delineated by the three spatial axes x, y and z, and the time axis t (spacetime).
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