Arte

Interiores y decoración

Joyería y piedras preciosas

Relojes de pulsera, plumas, bolígrafos y encendedores

Moda

Monedas y sellos

Cómics y animación

Coches clásicos, motos clásicas y automobilia

Vino, whisky y licores

Arte asiático y tribal

Cartas y cromos coleccionables

Juguetes y modelos a escala

Arqueología e historia natural

Deportes

Música, películas y cámaras

Libros y memorabilia histórica

Angel Albarrán (b.1969, Barcelona) and Anna Cabrera (b. 1969, Sevilla) have worked collaboratively as photographers since 1996. A rich inner philosophy about memory and experience — and a special curiosity for photographic chemistry — guide their aesthetic practice. Influenced by both occidental and oriental thinkers and artists, their photographs question our assumptions of time, place and identity in order to stimulate a new understanding of one’s own experience and perception. For the artists, “being conscious of our surroundings isn’t just an important part of life —our surroundings and how we interpret them is life as we know it.”
Albarran Cabrera's photographs have been exhibited in galleries and photo fairs in Spain, Japan, Switzerland, USA, Belgium, The Netherlands, France, Germany, Lebanon, and Italy. Private collections and institutions that house their photographs include Hermès, Goetz Collection, The German Bundestag's Art Collection, Banco de Santander and De Nederlandsche Bank among others. They have also produced photographic prints for institutions such as Fundació La Pedrera, Barcelona; Fundació Toni Catany, Mallorca; Reina Sofía Museum, Madrid; FotoColectania, Barcelona; the Photographic Archive, Barcelona. They have collaborated with publishers such as Adelphi Edizioni, Mondadori Libri, Penguin Random House, Diogenes Verlag, RM Verlag and Ediciones Atalanta and companies/institutions such as La Monnaie De Munt, -Belgium's federal opera house-.
While inspired by literature, painting, film, science and philosophy, Albarrán Cabrera specifically employ the medium of photography to convey their worldview:
'The possibility of having a tool with which to investigate reality is what drew us to the photographic medium. At first we photographed with the simple intention of recording what we saw. But soon our interest shifted from capturing the superficial appearance of reality to investigating its “underlying structure”. Thus, photography has in this way become the perfect philosophical tool with which to understand the world and our images are the by-product of that investigation, the notebooks of our research.
Viewers interpret photographs subjectively by relating them to their personal experience, identity and memory. We are said to be our memories. They define what and who we are and help us to understand our reality. Remembering is nothing other than a process of continuous reconstruction and re-creation. This process is activated voluntarily or when there is a trigger that initiates it. When looking at an image, the brain tries to interpret it using the memories we have stored, generating new memories and new ideas in the process. As a dynamic structure, the brain changes every time a new sensation is experienced or a new thought is generated. In fact, interpreting an image will not only add new ideas to our knowledge and change our way of projecting the future, but will also modify our memories.
As photographers, we can deal with complex subject matters, or the relationship between various topics without having to use a verbal language and its linguistic code. Our tools, instead, are images and photographs. We believe that photography can help us and the viewers to understand challenging concepts in a different way. There is a gap between reality and what we understand as real. And photography, as the Japanese playwright Chikamatsu Monzaemon once said when referring to art in general, lies at the frontier between the real and the unreal, what is true and what is false, thereby helping us to discover what is hidden from us.
However, photography is a limited medium. It is a battle between vision and technology. Photographers can only create what the technology and the processes available in their time enables them to do. All sorts of artistic conventions and personal yearnings can influence a photographer, but they can only go as far as the technology allows them to.
Sometimes the available printing technology is not advanced enough to realise one’s vision. Then it is the artist’s option to change that, either by inventing new techniques and processes or by experimenting with established techniques and using them in a different way. In our case, wanting to find new ways to explain a series of concepts and ideas with photography led us to expand our photographic syntax. We realised that if we wanted to expand the meaning of our work we also needed to expand the rules, principles and processes that make this meaning possible.
This has made us focus on not only the image itself, but also on its physical manifestation as printed photographs. We devote much time and effort to creating the printed representations of our ideas working by ourselves in our darkroom. For us, photographs are not only images, but also physical objects. "The printing method" as William Crawford explains in his book The Keepers of Light, "introduces the final elements of syntax: it determines the form the image takes as a tangible object.... Even the texture of the printed material is part of syntax, because its reflective qualities affect our perception of image tones."
As Lyle Rexer puts it in his book The Edge of Vision: "... photography is simultaneously an investigation of reality and the means of investigating that reality.... photography is not a looking at or a looking through but a looking with."'

Pequeñas Melodias is the result of a dialog between the artists Albarrán Cabrera and Federico Durand initiated by IIKKI, between December 2017 and August 2018.

Fotografía - Cantidad: 1 - Firmado por el autor - Libro fotográfico

Signed, Albarrán Cabrera - Pequeñas Melodias - 2018

Vino

Precio de reserva

Sin precio de reserva

Presupuesto

Fecha final 

martes

sábado

hoy 

mañana

lunes

domingo

19 agosto

viernes

Ubicación

Francia

Países Bajos

Alemania

Italia

Bélgica

España

República Checa

Portugal

Luxemburgo

Austria

Rumanía

Reino Unido

Suiza

Dinamarca

Letonia

Polonia

Eslovaquia

Marca

Moët & Chandon

Bollinger

Giulio Ferrari

Dom Pérignon

Ayala

Perrier-Jouët

Louis Roederer

Krug

Pommery

David Leclapart

Objeto

Vino tinto

Vino blanco

Vino rosado

Vino dulce

Vino espumoso

Champán

Enfriador de champán

Accesorio para vino

Enfriador de vino

Champán vintage

Champán rosado

Taburete

Sacacorchos

País de origen

Argentina

Estados Unidos

Chile

Nueva Zelanda

Líbano

Sudáfrica

China

África

Australia

Hungría

Marruecos

Tamaño de la botella

Botellas (0,75 L)

Botella (0,75 L)

Magnums (1,5 L)

Magnum (1,5 L)

McKenzie (5,0 L)

Medias botellas (0,375 L)

Botellas (0,7 L)

Jennies (0,5L)

Doble Magnum/Jeroboam (3.0 L)

Media botella (0,35 L)

Medias botellas (0,35 L)

Material

Metal

Aluminio

Latón plateado

Plateado

Latón

Madera

Algodón

Acero inoxidable

Plástico

Estado

Etiqueta intacta y legible

Cápsula de metal completamente intacta

Cápsula metálica intacta con agujero de producción

Cápsula de cera completamente intacta

Como nuevo - sin usar

Corcho saliente

Buen estado - usado y con signos menores de los años

Etiqueta manchada / escrita / rasgada o legible

Cápsula ligeramente corroída / cortada o agrietada

Cápsula ligeramente desgastada

Excelente estado - apenas usado y con signos mínimos de los años y de desgaste

Accesorios

En estuche de madera original

Envuelto en papel original

En estuche original

En caja de cartón original

Estuche de madera no original

Período

2024

2010-2020

Posterior a 2020

2026

1920-1930

2022

2025

Estilo

De inspiración antigua

Color

Dorado

Naranja

Crema

Región vinícola

Burdeos

Saint-Émilion

Borgoña

Provenza

Mosela

Languedoc

Haut-Médoc

Pessac-Léognan

Rioja

Chablis

Sancerre

Alsacia

Loira

Rheinhessen

Margaux

Jura

Médoc

Pomerol

Pommard

Meursault

Montagne-Saint-Émilion

Valle de Uco

Brunello di Montalcino

California

Variedades de uva

Chardonnay

Pinot Noir

Merlot

Riesling

Cabernet Sauvignon

Cabernet Franc

Sauvignon Blanc

Sangiovese

Gamay

Tempranillo

Malbec

Syrah

Grenache

Cabernet Sauvignon Blend

Carménère

Pinot Gris

Mourvèdre

Pinot Blanc

Chenin Blanc

Grüner Veltliner

Aligoté

Nebbiolo

Petit Verdot

Savagnin

Cinsaut

Nivel de llenado de vino

Tipo de botella Borgoña/Champagne/flauta, nivel de llenado alto

Tipo botella bordelesa, nivel de llenado cuello

Tipo de botella bordelesa, nivel de llenado base del cuello

Tipo de botella de borgoña/champagne/flauta, nivel de llenado de 3 cm

Tipo de botella bordelesa, nivel de llenado parte de arriba del hombro superior

Tipo de botella de borgoña/champagne/flauta, nivel de llenado de 1 cm

Tipo de botella bordelesa, nivel de llenado hombro superior

Tipo de botella bordelesa/champagne/flauta, nivel de llenado de 5 cm

Vino

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Signed, Albarrán Cabrera - Pequeñas Melodias - 2018

1083 objetos

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