An Aklama sculpture, South-east Ghana, with simple features. Slightly chipped surface; signs of ritual use and age. Who are these West African figures with such enormous presence, returning our gaze so forcefully and self confidently? What kinds of ideas and expectations are connected to them? They have however been suffused with collective experiences and personal intentions in the course of their production given them an essential spirit that endures beyond the physical existence of those who carved them. In addition, there striking patina swathes them like decorative mantel reflecting the nose contact between the figures and their former owners over the course of many years. Perhaps as objects aura is determined by the veneration people offer it. The helper spirits from Ghana once mediated between gods and humans and were consequently revered with sacrifices offered up tp them. Now decontextualized and accorded a new position, they have been lifter out of their religious ritual setting and set in a different context once defined by the aesthetics of art. The first Aklama figures found their way to Europe in the course of the conquest of Ghana and Togo by the British and Germans (19th and 20th century).” Source: AKLAMA, Helper spirits of the Ewe and Dangle, the the study collection of Horst Antes. Studienstiftung Horst Antes. MAZ08242