dogon figure - Dogon - Mali

05
días
17
horas
17
minutos
29
segundos
Puja actual
€ 350
Precio de reserva no alcanzado
Dimitri André
Experto
Seleccionado por Dimitri André

Posee un título de posgrado en Estudios Africanos y 15 años de experiencia en Arte Africano.

Estimación  € 2.000 - € 2.200
14 personas más están mirando este objeto
bePujador 6469
350 €

Protección del Comprador de Catawiki

Tu pago está protegido con nosotros hasta que recibas tu objeto.Ver detalles

Trustpilot 4.4 | 124896 valoraciones

Valoración Excelente en Trustpilot.

Figura dogón, escultura de madera de Malí perteneciente a la cultura dogón, datada a finales del siglo XVIII, mide 35 cm de alto, 9 cm de ancho y 10 cm de profundo, en excelente estado y se vende con su soporte, procedencia: Colección Pierre Langlois, París y Colección Jean Roudillon, París.

Resumen redactado con la ayuda de la IA

Descripción del vendedor

Dogon artist's ability to rearrange the human body to create a structured composition of geometric elements is epitomized by this figure. A
central cylinder constitutes both torso and seat; perfectly symmetrical L-shaped arms project in opposite directions from its midpoint to depict the
bent legs and arms.

This figure raises its arms to cover its face. Since interpretations of this gesture based on Dogon myth have proved to be problematic, a more
accurate meaning may perhaps be found by examining the gestures of everyday and ritual life among the Dogon.

Grieving Dogon women, like people all over the world, bury their faces in their hands at funerals (Griaule, 1938: 281). Dogon figures are often
placed on family ancestral altars (vageu), and it is possible that some may express the idea of mourning for the deceased relative through the
gesture of covering the face. It has been suggested that kneeling female figures may similarly convey the family's grief.

Pierre Langlois Collection, Paris
Jean Roudillon Collection, Paris

El vendedor y su historia

Expertos en Arte Africano antiguo

Dogon artist's ability to rearrange the human body to create a structured composition of geometric elements is epitomized by this figure. A
central cylinder constitutes both torso and seat; perfectly symmetrical L-shaped arms project in opposite directions from its midpoint to depict the
bent legs and arms.

This figure raises its arms to cover its face. Since interpretations of this gesture based on Dogon myth have proved to be problematic, a more
accurate meaning may perhaps be found by examining the gestures of everyday and ritual life among the Dogon.

Grieving Dogon women, like people all over the world, bury their faces in their hands at funerals (Griaule, 1938: 281). Dogon figures are often
placed on family ancestral altars (vageu), and it is possible that some may express the idea of mourning for the deceased relative through the
gesture of covering the face. It has been suggested that kneeling female figures may similarly convey the family's grief.

Pierre Langlois Collection, Paris
Jean Roudillon Collection, Paris

El vendedor y su historia

Expertos en Arte Africano antiguo

Datos

Nombre de objeto indígena
Dogon figure
N.º de artículos
1
Grupo étnico/cultura
Dogon
País de origen
Mali
Periodo estimado
Finales del siglo XVIII
Material
wood
Sold with stand
Estado
En excelente estado
Alto
35 cm
Ancho
9 cm
Profundidad
10 cm
EspañaVerificado
258
Objetos vendidos
100%
pro

Objetos similares

Para ti en

Arte tribal y africano