Andy Warhol (1928-1987) (after) - "Goethe, 1982"

- Andy Warhol (after), "Goethe, 1982", offset print on smooth satin paper (approx. 300gsm - refers to paper thickness/density).

- Identification number: 3-8238-8829-3

- Authorized edition 1993. Copyright The Andy Warhol Foundation.

- Closed edition. Available only in the secondary market (auctions, resellers, galleries, etc.)

- Size: 65 x 65 cm

- Condition: excellent. Never framed. Never exposed.

- Andy Warhol’s Goethe (1982) is a striking example of the artist’s late portrait series, in which historical and cultural icons are transformed into powerful Pop images through his unmistakable use of silkscreen, synthetic colour and graphic repetition. By appropriating the classical portrait of Johann Wolfgang von Goethe and reinterpreting it in electric tonalities, Warhol creates a dialogue between 18th-century intellectual history and the visual language of contemporary mass culture, placing the German writer within the same iconic realm as Marilyn Monroe, Mao and Queen Elizabeth II.

The flattened planes of colour and the deliberate use of photographic source material reflect the radical shift initiated by Warhol in the 1960s, a revolution that redefined the nature of portraiture and deeply influenced artists such as Roy Lichtenstein, Robert Rauschenberg and James Rosenquist. At the same time, the serial and chromatic intensity of this composition resonates with the conceptual strategies of Keith Haring and Jean-Michel Basquiat, confirming Warhol’s central role in the transition from modern to post-modern visual culture.

By merging Old Master tradition with Pop aesthetics, Goethe establishes a bridge between the legacy of European portraiture from Albrecht Dürer and Rembrandt to Pablo Picasso and Francis Bacon and the media-driven image of the late 20th century. This fusion of high culture and contemporary visual immediacy is precisely what makes Warhol’s portraits so desirable in collections that also include David Hockney, Alex Katz and Gerhard Richter, where the dialogue between figuration, photography and graphic design defines the evolution of contemporary art.

The vibrant, non-naturalistic palette and the strong linear structure give the work an exceptional decorative presence, highly sought after in modern interiors and in curated collections where Pop Art icons coexist with the minimalist clarity of Ellsworth Kelly, the colour fields of Mark Rothko and the optical energy of Victor Vasarely. Its visual impact and cultural recognisability also explain its strong appeal for drawn to the global language of Banksy, Damien Hirst and Yayoi Kusama.

Goethe is not only a portrait of one of Europe’s greatest thinkers, but a timeless statement on fame, reproduction and the transformation of cultural memory into image a work that confirms Andy Warhol as one of the most collected and influential artists of the 20th century.