Lucile Roebuck Keeler (XX) - Radius-Diagonal





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Radius-Diagonal es una litografía de 1965 de Lucile Roebuck Keeler, firmada a mano, de una edición limitada en estilo Minimalismo, mide 29 × 29 cm sobre papel, elaborada en Suiza y vendida por Gallery, en buen estado con una ligera curvatura apenas visible en la esquina superior izquierda.
Descripción del vendedor
RADIUS-DIAGONALS de La Lune en Rodage IV
Medium: Lithograph
Material: Paper
Dimensions: 28 x 28 cm
Editor: Edition Panderma, Basel
Year: 1965
Edition: This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered)
Signature: Signed and dated
Condition / Restauration:
good condition, very light kink in the upper left corner (nearly invisible)
Further Information:
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
El vendedor y su historia
RADIUS-DIAGONALS de La Lune en Rodage IV
Medium: Lithograph
Material: Paper
Dimensions: 28 x 28 cm
Editor: Edition Panderma, Basel
Year: 1965
Edition: This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered)
Signature: Signed and dated
Condition / Restauration:
good condition, very light kink in the upper left corner (nearly invisible)
Further Information:
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.

