Egon Schiele (1890-1918) - Kauernder Akt (1917)





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Descripción del vendedor
Egon Schiele
«Kauernder Akt, 1917»
From Otto Benesch Carpeta: Egon Schiele como dibujante, 1951
Lichtdruck, Blattgröße ca. 340x 240 mm
After Egon Schiele. Provenance: pequeña edición impresa en Viena por la Staatsdruckerei Österreich (Oficina Estatal de Impresión de Austria) en papel de alta calidad a finales de los años cuarenta/principios de los cincuenta.
This rare print, which demonstrates Schiele's distinctive style, is very well preserved.
Very difficult to find as the majority are now in private collections.
International shipping, tracking number, insurance. Will be very carefuly and securely packed.
PLEASE NOTE: We currently do not ship to USA
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.
Egon Schiele
«Kauernder Akt, 1917»
From Otto Benesch Carpeta: Egon Schiele como dibujante, 1951
Lichtdruck, Blattgröße ca. 340x 240 mm
After Egon Schiele. Provenance: pequeña edición impresa en Viena por la Staatsdruckerei Österreich (Oficina Estatal de Impresión de Austria) en papel de alta calidad a finales de los años cuarenta/principios de los cincuenta.
This rare print, which demonstrates Schiele's distinctive style, is very well preserved.
Very difficult to find as the majority are now in private collections.
International shipping, tracking number, insurance. Will be very carefuly and securely packed.
PLEASE NOTE: We currently do not ship to USA
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.

