Max Modolo - Jarrón - Gres - Escultura “Cocoon”





Protección del Comprador de Catawiki
Tu pago está protegido con nosotros hasta que recibas tu objeto.Ver detalles
Trustpilot 4.4 | 142645 valoraciones
Valoración Excelente en Trustpilot.
Max Modolo Escultura-vaso “Cocoon” de gres, vaso moderno biomorfo con borde explosivo, vidriado en negro, gris oscuro, blanco, marfil y crema, diámetro 16 cm, altura 25 cm, hecho en Italia y sin usar.
Descripción del vendedor
Max Modolo - Escultura de jarrón “Cocoon”
Estilo: Moderno, Italiano/Japonés, Wabi-Sabi, Imperfección, Calma, Minimalismo, Materiales naturales, Paleta de colores terrosos
Gres cerámico. Temperatura de cocción 1240°C. Jarrón biomórfico con borde explosionado. Esmalte texturizado en tonos de negro, gris oscuro, blanco, marfil y crema. Goteos y cráteres dorados minerales.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”
Max Modolo - Escultura de jarrón “Cocoon”
Estilo: Moderno, Italiano/Japonés, Wabi-Sabi, Imperfección, Calma, Minimalismo, Materiales naturales, Paleta de colores terrosos
Gres cerámico. Temperatura de cocción 1240°C. Jarrón biomórfico con borde explosionado. Esmalte texturizado en tonos de negro, gris oscuro, blanco, marfil y crema. Goteos y cráteres dorados minerales.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”

