N.º 99123839

Inaba Province: Mount Karo, from “Famous Views of the Sixty-odd Provinces” - Utagawa Hiroshige 歌川広重(1797–1858), 京都 藤澤萬華堂(Fujisawa Mankadō, Kyoto) - Japón - Período Taishō (1912-1926)
N.º 99123839

Inaba Province: Mount Karo, from “Famous Views of the Sixty-odd Provinces” - Utagawa Hiroshige 歌川広重(1797–1858), 京都 藤澤萬華堂(Fujisawa Mankadō, Kyoto) - Japón - Período Taishō (1912-1926)
Description:
https://ja.wikipedia.org/wiki/ファイル:40_Inaba.jpg
https://www.yamada-shoten.com/onlinestore/detail.php?item_id=53535
In this striking landscape, Hiroshige presents a view from Mount Karo in Inaba Province. A tall pine and maple, vivid in contrasting green and red, frame a serene expanse of sea and islands under a glowing sky. The clear blue gradation and soft pink horizon exemplify Hiroshige’s mastery of atmospheric color and spatial depth. Originally published in the 1850s, this design reflects the artist’s lyrical vision of nature — transforming a simple provincial view into a poetic harmony of form, light, and emotion. The present print is a fine Kyoto reprint by Fujisawa Mankadō.
Author:
Utagawa Hiroshige was one of the last great masters of the ukiyo-e tradition and a leading landscape artist of the Edo period. Renowned for his lyrical depictions of nature, weather, and seasonal change, Hiroshige brought a poetic sensibility to everyday scenery. His celebrated series, such as The Fifty-three Stations of the Tōkaidō and One Hundred Famous Views of Edo, capture fleeting atmospheric moments—rain, mist, and twilight—with subtle color gradations and refined composition. Influencing Western Impressionists like Monet and Van Gogh, Hiroshige’s prints transformed simple landscapes into profound meditations on transience and beauty in the Japanese aesthetic tradition.
NOTICE
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