Nro. 102477669

Myyty
Albrecht Durer (1471-1528), after - The Annunciation
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Albrecht Durer (1471-1528), after - The Annunciation

Very good impression on wovw paper. One of the series of 20 woodcuts, without text; Annunciation, with the Virgin in front of a praying desk on the right, approached from the left by the Archangel Gabriel; in the foreground a vase with lilies, underneath the stairs a chained badger. c.1503 Woodcut Brilliant woodcut showing the Last Supper by Dürer. His designs would have been handed over to professional woodcarvers to make the woodblock from which the print would have been taken. Some of these blocks still exist, for example, in the British Museum in London. Countless engravings were made after this print and this is a good example from the late XIX century. It shows his monogram in the bottom edge AD which he added to prevent others, for example Marcantonio Raimondi, from making unauthorised copies. Bibliographic references Meder 1932 / Dürer Katalog (195) Bartsch / Le Peintre graveur (VII.132.83) Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.289.43) Schoch 2001-04 / Albrecht Dürer, das druckgraphische Werk. 3 vols I Intaglio, II Woodcuts, III Book illustrations (II.173) Jones 1990a / Fake? The Art of Deception (126a) (Source: British Museum) After the original woodcut. A twentienth century printing, published in the 1920s in Germany. Condition is good. Some foxing. Some surface dirt.

Nro. 102477669

Myyty
Albrecht Durer (1471-1528), after - The Annunciation

Albrecht Durer (1471-1528), after - The Annunciation

Very good impression on wovw paper.

One of the series of 20 woodcuts, without text; Annunciation, with the Virgin in front of a praying desk on the right, approached from the left by the Archangel Gabriel; in the foreground a vase with lilies, underneath the stairs a chained badger. c.1503
Woodcut

Brilliant woodcut showing the Last Supper by Dürer. His designs would have been handed over to professional woodcarvers to make the woodblock from which the print would have been taken. Some of these blocks still exist, for example, in the British Museum in London. Countless engravings were made after this print and this is a good example from the late XIX century. It shows his monogram in the bottom edge AD which he added to prevent others, for example Marcantonio Raimondi, from making unauthorised copies.

Bibliographic references
Meder 1932 / Dürer Katalog (195)
Bartsch / Le Peintre graveur (VII.132.83)
Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.289.43)
Schoch 2001-04 / Albrecht Dürer, das druckgraphische Werk. 3 vols I Intaglio, II Woodcuts, III Book illustrations (II.173)
Jones 1990a / Fake? The Art of Deception (126a)

(Source: British Museum)

After the original woodcut. A twentienth century printing, published in the 1920s in Germany.

Condition is good. Some foxing. Some surface dirt.

Viimeinen tarjous
€ 15
Antonio Yera
asiantuntija
Arvio  € 150 - € 200

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