Gravures et multiples

Francesco Polanzani (1700-1783) after Nicolas Poussin - Assumptio Beatae Mariae Virginis

Francisco De Goya (1746-1828) - 4 etchings from Los Caprichos

Francisco de Goya - Early 1800's - Los Caprichos - A caza de dientes - Plate 12

Francisco De Goya (1746-1828) - Ni asi la distingue, plate from Los Caprichos

Francisco de Goya - Early 1800's - Los Caprichos - Bellos consejos - Plate 15

Francisco de Goya - Early 1800's - Los Caprichos - Dios la perdone: y era su madre - Plate 16

Francisco de Goya - Early 1800's - Los Caprichos - El amor y la muerte - Plate 10

Francisco de Goya - Early 1800's - Los Caprichos - Ni así la distingue - Plate 7

Francisco de Goya - Early 1800's - Los Caprichos - Que sacrificio! - Plate 14

Francisco de Goya - Early 1800's - Los Caprichos - Que se la llevaron! - Plate 8

Francisco de Goya, Early 1800's - Los Caprichos - El de la rollona - Plate 4

Francois-Nicolas Martinet (XVIII - 2 incisioni Naturalistiche : Tangara macchiato di Cayenne; Tangara crestato della Guiana

François Collignon (1610–1687), Stefano della Bella - Masterpiece Baroque Etching: Landscape with Windmill

G.M (XVIII - Venerata nella chiesa di S. Teresa in Piacenza

Gabriel Perelle (1604-1677) - Landscape with wayfarers

Gabriel Perelle (1604-1677) - Pastoral Landscape

Giandomenico Tiepolo (1727-1804), after, Giambattista Tiepolo - Plates 37 & 38: Sacred and Classical Scenes

Giorgio Ghisi (1520–1582) after G.B. Scultori - - Sinon Deceiving the Trojans (Sinone inganna i

Giovanni Battista Piranesi (1720-1778), after - Veduta Roma antica

Giuseppe Maria Mitelli (1634-1718) - Semo quattro fontolini della mamma e del papà

Giuseppe Vasi (1710-1782) - S. Maria in Dominica

Hans Jan Baptist I Collaert (1530-1581) - Landscapes around Bruxells

Hans Weiditz (after) - Messa di Massimiliano I d’Asburgo

J. A. Corvinus (XVIII) - Prospectus Fori Maximi– Copper Engraving – ca. 1733