Michael Joseph (1941-) - Walking le dog, 1960s

05
jours
17
heures
38
minutes
06
secondes
Offre de départ
€ 1
Sans prix de réserve
Kai Brückner
Expert
Sélectionné par Kai Brückner

Plus de 35 ans d'expérience ; ancien galeriste et conservateur au Museum Folkwang.

Estimation  € 400 - € 500
Pas d'offre placée

Protection des acheteurs Catawiki

Votre paiement est en sécurité chez nous jusqu’à la réception de votre objet.Voir les informations

Trustpilot 4.4 | 137313 d’avis

Noté Excellent sur Trustpilot.

Description fournie par le vendeur

Michael Joseph (1941– ) – Walking Le Dog, London, c.1960s
Unique Hand-Printed Silver Gelatin Darkroom Print

Hand-titled and signed by the photographer

Photographer: Michael Joseph (b. 1941)
Medium: Original one-off silver gelatin darkroom print from the original negative
Date: London, early 1960s (bearing the photographer's Harley Street studio stamp, dating from the period before his move to West Central Street)
Signature: Hand-signed and titled by the artist
Provenance: Directly from the photographer's personal archive

Some photographs simply record a moment.

Others quietly transform it into an icon.

Walking Le Dog is unquestionably one of Michael Joseph's most memorable early compositions. Photographed from an audacious low viewpoint, the image elevates an everyday stroll into a portrait of poise, power and presence. A statuesque woman stands against an expansive sky while, in the foreground, an imposing Afghan Hound commands the composition, its magnificent coat cascading through the frame with remarkable texture and tonal richness.

The handwritten title - Walking Le Dog - perfectly encapsulates Joseph's playful personality. Blending French chic with a knowing visual joke, it transforms an ordinary scene into something effortlessly fashionable, revealing the wit and irreverence that would later become hallmarks of his celebrated advertising career.

Produced during the early 1960s, before many of his internationally acclaimed commissions, the photograph already displays the visual vocabulary that would define his work: bold perspective, graphic geometry, sculptural silhouettes and carefully choreographed relationships between people and animals. Every element is deliberate, yet the photograph retains an effortless elegance that feels entirely spontaneous.

Hand-printed by Michael Joseph in his own darkroom from the original negative, this is not a later reproduction but a genuine one-off vintage silver gelatin print, personally titled and signed by the photographer. Preserved within his private archive for decades before being released by his daughter, Justine Joseph, it represents a rare opportunity to acquire an authentic work created entirely by the artist's own hands.

Collectors may recognise echoes of Norman Parkinson's elegance or Richard Avedon's graphic confidence, yet Joseph's cinematic eye and mischievous humour remain unmistakably his own. The sweeping silhouette of the Afghan Hound, set against the uncluttered sky, creates an image that is simultaneously stylish, sculptural and strikingly timeless.

Presented within a clean conservation mount, the photograph is ready for framing or exhibition.

Condition

Very good overall condition for an original silver gelatin print now more than sixty years old. The photograph retains excellent tonal depth and surface quality. Close examination reveals a few gentle signs of age and handling consistent with its vintage nature. Along the right-hand edge, the thick fibre-based photographic paper exhibits a slight undulation or waviness, a natural characteristic often encountered in hand-processed darkroom prints of this period and entirely consistent with their age and traditional manufacture. This subtle movement in the paper should be regarded as part of the print's authentic vintage character rather than a flaw. The reverse retains the original Harley Street studio stamp together with historic mounting tape, further reinforcing its provenance and working history.

Why collect this work?
Unique: Genuine one-off silver gelatin darkroom print, hand-produced by Michael Joseph.
Signed & titled: Personally inscribed by the photographer.
Early work: A rare photograph from the formative years of Joseph's career.
Direct provenance: Released directly from the Michael Joseph family archive.
Authentic analogue print: An original darkroom photograph - not a later digital reproduction.
Highly collectable: By the photographer behind the legendary Beggars Banquet session with The Rolling Stones and iconic campaigns for Nivea, White Horse, Schweppes, Nike and many other international brands.

Elegant, witty and wonderfully composed, Walking Le Dog captures the style, spirit and sophistication of 1960s London while celebrating the enduring beauty of traditional silver gelatine printing. It is both a captivating work of art and an exceptionally rare survivor from Michael Joseph's own darkroom - a photograph that has remained unseen for more than half a century before emerging from the family archive.

Mount size: 50 cm high × 40 cm wide.

#MichaelJoseph #WalkingLeDog #SilverGelatin #OriginalDarkroomPrint #VintagePhotography #1960sPhotography #BritishPhotography #AfghanHound #SignedPhotograph #UniquePrint #FineArtPhotography #AnaloguePhotography #PhotographyCollectors #FamilyArchive #BeggarsBanquet

À propos du vendeur

Mon père, Michael Joseph, était un photographe publicitaire basé à Londres, actif de la mi-des années 1960 jusqu’au début des années 1990. Au cours de ces décennies, il a produit une œuvre extraordinaire — son image la plus largement reconnue étant la célèbre pochette double pliée (gatefold) pour les Rolling Stones. Ma mission continue est de partager et célébrer ce que nous appelons « les autres photos » : les images moins connues mais tout aussi captivantes de ses archives. Ce sont des œuvres qui ont vécu au-delà des gros titres — tirages-tests, cadres alternatifs issus de grands shootings, et des photographies plus calmes et plus personnelles, toutes réalisées avec son intensité caractéristique, sa discipline et son dévouement au métier. Une grande partie de leur atmosphère provient de la chambre noire elle-même. Il s’agit de photographies façonnées par la lumière, le timing et le travail manuel : des compositions de groupe complexes, des natures mortes sculpturales et des instants qui invitent le spectateur à s’attarder et à regarder de nouveau. La variété est centrale dans les archives, et je propose fréquemment des pièces uniques, inédites ailleurs. J’espère que vous apprécierez découvrir le travail de mon père autant que j’aime le partager, et que vous y trouverez ici non seulement une image, mais une véritable pièce d’histoire photographique. Tous les travaux sont expédiés soigneusement protégés, et emballés avec dévotion et soin, adaptés à un tirage photographique historique unique. Pour les acheteurs américains, notez que les droits de douane et les accises sont acquittés à la source et inclus dans les frais d’envoi. Aucuns frais supplémentaires ne devraient être dus à la livraison, sauf changement de réglementation.
Traduit par Google Traduction

Michael Joseph (1941– ) – Walking Le Dog, London, c.1960s
Unique Hand-Printed Silver Gelatin Darkroom Print

Hand-titled and signed by the photographer

Photographer: Michael Joseph (b. 1941)
Medium: Original one-off silver gelatin darkroom print from the original negative
Date: London, early 1960s (bearing the photographer's Harley Street studio stamp, dating from the period before his move to West Central Street)
Signature: Hand-signed and titled by the artist
Provenance: Directly from the photographer's personal archive

Some photographs simply record a moment.

Others quietly transform it into an icon.

Walking Le Dog is unquestionably one of Michael Joseph's most memorable early compositions. Photographed from an audacious low viewpoint, the image elevates an everyday stroll into a portrait of poise, power and presence. A statuesque woman stands against an expansive sky while, in the foreground, an imposing Afghan Hound commands the composition, its magnificent coat cascading through the frame with remarkable texture and tonal richness.

The handwritten title - Walking Le Dog - perfectly encapsulates Joseph's playful personality. Blending French chic with a knowing visual joke, it transforms an ordinary scene into something effortlessly fashionable, revealing the wit and irreverence that would later become hallmarks of his celebrated advertising career.

Produced during the early 1960s, before many of his internationally acclaimed commissions, the photograph already displays the visual vocabulary that would define his work: bold perspective, graphic geometry, sculptural silhouettes and carefully choreographed relationships between people and animals. Every element is deliberate, yet the photograph retains an effortless elegance that feels entirely spontaneous.

Hand-printed by Michael Joseph in his own darkroom from the original negative, this is not a later reproduction but a genuine one-off vintage silver gelatin print, personally titled and signed by the photographer. Preserved within his private archive for decades before being released by his daughter, Justine Joseph, it represents a rare opportunity to acquire an authentic work created entirely by the artist's own hands.

Collectors may recognise echoes of Norman Parkinson's elegance or Richard Avedon's graphic confidence, yet Joseph's cinematic eye and mischievous humour remain unmistakably his own. The sweeping silhouette of the Afghan Hound, set against the uncluttered sky, creates an image that is simultaneously stylish, sculptural and strikingly timeless.

Presented within a clean conservation mount, the photograph is ready for framing or exhibition.

Condition

Very good overall condition for an original silver gelatin print now more than sixty years old. The photograph retains excellent tonal depth and surface quality. Close examination reveals a few gentle signs of age and handling consistent with its vintage nature. Along the right-hand edge, the thick fibre-based photographic paper exhibits a slight undulation or waviness, a natural characteristic often encountered in hand-processed darkroom prints of this period and entirely consistent with their age and traditional manufacture. This subtle movement in the paper should be regarded as part of the print's authentic vintage character rather than a flaw. The reverse retains the original Harley Street studio stamp together with historic mounting tape, further reinforcing its provenance and working history.

Why collect this work?
Unique: Genuine one-off silver gelatin darkroom print, hand-produced by Michael Joseph.
Signed & titled: Personally inscribed by the photographer.
Early work: A rare photograph from the formative years of Joseph's career.
Direct provenance: Released directly from the Michael Joseph family archive.
Authentic analogue print: An original darkroom photograph - not a later digital reproduction.
Highly collectable: By the photographer behind the legendary Beggars Banquet session with The Rolling Stones and iconic campaigns for Nivea, White Horse, Schweppes, Nike and many other international brands.

Elegant, witty and wonderfully composed, Walking Le Dog captures the style, spirit and sophistication of 1960s London while celebrating the enduring beauty of traditional silver gelatine printing. It is both a captivating work of art and an exceptionally rare survivor from Michael Joseph's own darkroom - a photograph that has remained unseen for more than half a century before emerging from the family archive.

Mount size: 50 cm high × 40 cm wide.

#MichaelJoseph #WalkingLeDog #SilverGelatin #OriginalDarkroomPrint #VintagePhotography #1960sPhotography #BritishPhotography #AfghanHound #SignedPhotograph #UniquePrint #FineArtPhotography #AnaloguePhotography #PhotographyCollectors #FamilyArchive #BeggarsBanquet

À propos du vendeur

Mon père, Michael Joseph, était un photographe publicitaire basé à Londres, actif de la mi-des années 1960 jusqu’au début des années 1990. Au cours de ces décennies, il a produit une œuvre extraordinaire — son image la plus largement reconnue étant la célèbre pochette double pliée (gatefold) pour les Rolling Stones. Ma mission continue est de partager et célébrer ce que nous appelons « les autres photos » : les images moins connues mais tout aussi captivantes de ses archives. Ce sont des œuvres qui ont vécu au-delà des gros titres — tirages-tests, cadres alternatifs issus de grands shootings, et des photographies plus calmes et plus personnelles, toutes réalisées avec son intensité caractéristique, sa discipline et son dévouement au métier. Une grande partie de leur atmosphère provient de la chambre noire elle-même. Il s’agit de photographies façonnées par la lumière, le timing et le travail manuel : des compositions de groupe complexes, des natures mortes sculpturales et des instants qui invitent le spectateur à s’attarder et à regarder de nouveau. La variété est centrale dans les archives, et je propose fréquemment des pièces uniques, inédites ailleurs. J’espère que vous apprécierez découvrir le travail de mon père autant que j’aime le partager, et que vous y trouverez ici non seulement une image, mais une véritable pièce d’histoire photographique. Tous les travaux sont expédiés soigneusement protégés, et emballés avec dévotion et soin, adaptés à un tirage photographique historique unique. Pour les acheteurs américains, notez que les droits de douane et les accises sont acquittés à la source et inclus dans les frais d’envoi. Aucuns frais supplémentaires ne devraient être dus à la livraison, sauf changement de réglementation.
Traduit par Google Traduction

Détails

Date d’impression
1964
Artiste
Michael Joseph (1941-)
Vendu(e) par
Propriétaire ou revendeur
Titre de l'œuvre d'art
Walking le dog, 1960s
Condition
État d'origine
Technique
Tirage au gélatino-bromure d'argent
Hauteur
28 cm
Édition
Darkroom print from year of photo
Largeur
26 cm
Signature
Signé à la main
Genre
Mode
FranceVérifié
535
Objets vendus
100%
Particuliertop

Objets similaires

Pour vous

Photographie