Egon Schiele (1890-1918), after - Sonnenblumen






Ancienne spécialiste senior chez Finarte durant 12 ans, experte en estampes modernes.
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Sonnenblumen d’Egon Schiele est une lithographie imprimée en Autriche en édition limitée (1951) d’après Schiele, 34 × 24 cm, expressionniste, scène d’automne, signée sur la plaque.
Description fournie par le vendeur
Egon Schiele
Sonnenblumen (1911) /Sunflowers
From Otto Benesch Mappe "Egon Schiele als Zeichner, 1951"
phototype, Size ca. 340x 240 mm
Après Egon Schiele. Provenance: petite édition imprimée à Vienne par la Staatsdruckerei Österreich sur du papier de haute qualité à la fin des années 1940 / début des années 1950.
This rare print, which demonstrates Schiele's distinctive style, is very well preserved.
International shipping, tracking number, insurance. Will be very carefuly and securely packed.
PLEASE NOTE: WE CURRENTLY DO NOT SHIP TO USA!
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.
Egon Schiele
Sonnenblumen (1911) /Sunflowers
From Otto Benesch Mappe "Egon Schiele als Zeichner, 1951"
phototype, Size ca. 340x 240 mm
Après Egon Schiele. Provenance: petite édition imprimée à Vienne par la Staatsdruckerei Österreich sur du papier de haute qualité à la fin des années 1940 / début des années 1950.
This rare print, which demonstrates Schiele's distinctive style, is very well preserved.
International shipping, tracking number, insurance. Will be very carefuly and securely packed.
PLEASE NOTE: WE CURRENTLY DO NOT SHIP TO USA!
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.
