Martin Kaye - THE JAM - Paradiso The Jam 1982

05
jours
23
heures
33
minutes
12
secondes
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€ 1
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Clara Rivera
Expert
Sélectionné par Clara Rivera

Titulaire d’un baccalauréat en journalisme et d’une maîtrise en gestion cinématographique, spécialisée dans le cinéma classique et les souvenirs musicaux.

Estimation  € 350 - € 400
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Description fournie par le vendeur

The Jam at Paradiso, 17 & 18 Okt 1982. Amsterdam, Martin Kaye Silk-screened poster , Measures approx 43 x 61 cm (17 x 24" pouces). Mint condition.

Martin Kaye, a British designer, was closely associated with Paradiso from 1972 to 1983, where he designed virtually all the posters. Kaye was not only the designer but also the printer and distributor. He screen-printed the posters in Paradiso's basement (under the stage where Prince, The Stones, Blondie, The Stranglers etc..) were performing) and distributed them personally throughout Amsterdam, making it seem as if the city was filled with his work, despite the limited print run of about 120 copies per poster.

Kaye's style was recognizable and powerful, with a clean and purposeful approach: large, clear typography and frequent use of iris printing for a full-color effect. The artist's name had to be large and legible, and the message had to come across clearly and directly. Sometimes he used manipulated photos to emphasize the artist's appearance, which became a key feature of his posters. His posters were bold and striking, intended to grab the attention of passersby and draw them to Paradiso. This visual approach laid the foundation for the rock 'n' roll poster culture in the Netherlands, in which clear lettering and a central focus on the artist became the norm.

The Jam at Paradiso, 17 & 18 Okt 1982. Amsterdam, Martin Kaye Silk-screened poster , Measures approx 43 x 61 cm (17 x 24" pouces). Mint condition.

Martin Kaye, a British designer, was closely associated with Paradiso from 1972 to 1983, where he designed virtually all the posters. Kaye was not only the designer but also the printer and distributor. He screen-printed the posters in Paradiso's basement (under the stage where Prince, The Stones, Blondie, The Stranglers etc..) were performing) and distributed them personally throughout Amsterdam, making it seem as if the city was filled with his work, despite the limited print run of about 120 copies per poster.

Kaye's style was recognizable and powerful, with a clean and purposeful approach: large, clear typography and frequent use of iris printing for a full-color effect. The artist's name had to be large and legible, and the message had to come across clearly and directly. Sometimes he used manipulated photos to emphasize the artist's appearance, which became a key feature of his posters. His posters were bold and striking, intended to grab the attention of passersby and draw them to Paradiso. This visual approach laid the foundation for the rock 'n' roll poster culture in the Netherlands, in which clear lettering and a central focus on the artist became the norm.

Détails

Époque
1900-2000
Artiste/Groupe (max 3)
THE JAM
Artiste
Martin Kaye
Titre de l’affiche
Paradiso The Jam 1982
Période estimée
Années 1980
Type
Poster
Condition
A (excellent - état neuf)
Nombre d’articles
1
Hauteur
43 cm
Largeur
61 cm
Autographié par une personnalité
Non
Vendu par
Pays-BasVérifié
286
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