André Lanskoy (1902-1976) - Abstract composition





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André Lanskoy, Abstract composition, lithographie en couleur de 1974 sur papier Fabriano, signée à la main dans une édition limitée, 77 × 50 cm (format total), lithographie 68 × 44 cm.
Description fournie par le vendeur
André LANSKOY - Composition abstraite
Original lithograph in color on Fabriano paper
Signée et numérotée e.a. (Épreuve d’artiste). EA edition - print made in addition to the current numbered edition. These prints, excluding numbering, are reserved for the use of the artist.
Publié par Ed. d'Arte Graphique International, France, 1974
Total dimensions 77 x 50 cm.
Lithograph 68 x 44 cm.
Very good condition.
Ship worldwide with tracking and insured shipping.
**
André Lanskoy (1902 – 1976) was a Russian painter and printmaker who worked in France. He is associated with the School of Paris and Tachisme, an abstract painting movement that began during the 1940s.
After 1942, he painted only abstract works. The interaction of form and color became the major theme running through his oeuvre: "Even though every brushstroke represents for itself a transformed reality, it receives its true meaning in the context of surrounding shades of color." In 1944, Lanskoy exhibited at the Jeanne Bucher Gallery in Paris where he met Nicolas de Staël. In 1948, he showed at the Louis Carré Gallery and in 1951 at the Galerie Jacques Dubourg. The Tooth and Sons Gallery showed his work in 1953 and The Loeb Gallery in New York City followed in 1959.
André LANSKOY - Composition abstraite
Original lithograph in color on Fabriano paper
Signée et numérotée e.a. (Épreuve d’artiste). EA edition - print made in addition to the current numbered edition. These prints, excluding numbering, are reserved for the use of the artist.
Publié par Ed. d'Arte Graphique International, France, 1974
Total dimensions 77 x 50 cm.
Lithograph 68 x 44 cm.
Very good condition.
Ship worldwide with tracking and insured shipping.
**
André Lanskoy (1902 – 1976) was a Russian painter and printmaker who worked in France. He is associated with the School of Paris and Tachisme, an abstract painting movement that began during the 1940s.
After 1942, he painted only abstract works. The interaction of form and color became the major theme running through his oeuvre: "Even though every brushstroke represents for itself a transformed reality, it receives its true meaning in the context of surrounding shades of color." In 1944, Lanskoy exhibited at the Jeanne Bucher Gallery in Paris where he met Nicolas de Staël. In 1948, he showed at the Louis Carré Gallery and in 1951 at the Galerie Jacques Dubourg. The Tooth and Sons Gallery showed his work in 1953 and The Loeb Gallery in New York City followed in 1959.

