"Spring Table" - XL size! - Mabuchi Toru (1920–1994) - Japon (Sans prix de réserve)






Détient un master en histoire de l'art japonais avec plus de 10 ans d'expérience.
2 € | ||
|---|---|---|
1 € |
Protection des acheteurs Catawiki
Votre paiement est en sécurité chez nous jusqu’à la réception de votre objet.Voir les informations
Trustpilot 4.4 | 141366 d’avis
Noté Excellent sur Trustpilot.
Une estampe colorée sur bois limitée de Mabuchi Toru réalisée en 1964, intitulée « Spring Table » (taille XL), 70/100, image 410 × 560 mm avec le format papier 475 × 620 mm, signée à la main, Japan, scène intérieure dans le style sōsaku hanga des années 1960, en bon état.
Description fournie par le vendeur
Artist: Mabuchi Toru (1920–1994)
Titled: "Spring Table"
Technique: Woodblock print
Japan, 1964
Edition: 70/100
Size within the margin: 410 x 560 mm
Full paper size: 475 x 620 mm
A refined modern still life by Mabuchi Toru, one of Japan’s foremost sōsaku-hanga printmakers active during the postwar period. Executed in 1962, Jar and Pears reveals Mabuchi’s masterful synthesis of Japanese craftsmanship and Western modernism.
The composition, structured through overlapping planes and soft muted tones, reflects a clear cubist influence reminiscent of Georges Braque’s still lifes, yet with a uniquely Japanese sense of quiet balance and material texture. Mabuchi translates Braque’s analytical geometry into a more meditative rhythm—using the tactile grain of wood and layered color blocks to evoke both solidity and serenity.
His use of restrained color harmonies—olive greens, greys, and soft blues—further enhances the sense of stillness and depth. Like Braque, Mabuchi transforms everyday vessels and fruit into abstract forms of timeless beauty, bridging European modernism with the subtle discipline of Japanese design.
Born in Tokyo in 1920, died in 1994.
Studied Western-style painting before turning to woodblock printing.
Active in the sōsaku hanga (création imprimée) movement, emphasizing the artist's own carving and printing.
Known for his mosaic-like textures, geometric abstraction, and archaeological themes, often inspired by dogū (prehistoric clay figurines) and haniwa (ancient burial sculptures).
Participated in major exhibitions in Japan and abroad during the 1950s–1970s.
His work is included in prominent collections such as:
- The British Museum
- National Museum of Modern Art, Tokyo.
Condition: light mat toning as noted, otherwise good.
This work is framed before.
A fine and scarce example of Mabuchi's exploration of Japan's ancient heritage through a modern artistic lens.
The print will be send between hardboard and carton plates to prevent any damage in transport.
Due to the size, higher transport costs.
Sending nearly worldwide, insured with tracking post.
Artist: Mabuchi Toru (1920–1994)
Titled: "Spring Table"
Technique: Woodblock print
Japan, 1964
Edition: 70/100
Size within the margin: 410 x 560 mm
Full paper size: 475 x 620 mm
A refined modern still life by Mabuchi Toru, one of Japan’s foremost sōsaku-hanga printmakers active during the postwar period. Executed in 1962, Jar and Pears reveals Mabuchi’s masterful synthesis of Japanese craftsmanship and Western modernism.
The composition, structured through overlapping planes and soft muted tones, reflects a clear cubist influence reminiscent of Georges Braque’s still lifes, yet with a uniquely Japanese sense of quiet balance and material texture. Mabuchi translates Braque’s analytical geometry into a more meditative rhythm—using the tactile grain of wood and layered color blocks to evoke both solidity and serenity.
His use of restrained color harmonies—olive greens, greys, and soft blues—further enhances the sense of stillness and depth. Like Braque, Mabuchi transforms everyday vessels and fruit into abstract forms of timeless beauty, bridging European modernism with the subtle discipline of Japanese design.
Born in Tokyo in 1920, died in 1994.
Studied Western-style painting before turning to woodblock printing.
Active in the sōsaku hanga (création imprimée) movement, emphasizing the artist's own carving and printing.
Known for his mosaic-like textures, geometric abstraction, and archaeological themes, often inspired by dogū (prehistoric clay figurines) and haniwa (ancient burial sculptures).
Participated in major exhibitions in Japan and abroad during the 1950s–1970s.
His work is included in prominent collections such as:
- The British Museum
- National Museum of Modern Art, Tokyo.
Condition: light mat toning as noted, otherwise good.
This work is framed before.
A fine and scarce example of Mabuchi's exploration of Japan's ancient heritage through a modern artistic lens.
The print will be send between hardboard and carton plates to prevent any damage in transport.
Due to the size, higher transport costs.
Sending nearly worldwide, insured with tracking post.
