Phillippe Morisson (1924–1994) - Sin título - Galerie Denis René





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Phillippe Morisson, Sin título - Galerie Denis René, lithographie abstraite de 1973, 64 x 77 cm, en excellent état, France, édition limitée 21/175, signé à la main, vendu par propriétaire ou revendeur.
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La relation entre l'artiste autodidacte français Philippe Morisson (1924–1994) et la légendaire Galerie Denise René, scène avant-gardiste, à Paris, s’étend sur plus de 50 ans, ancrant Morisson comme une figure majeure de l’art abstrait géométrique de milieu de siècle.Key Moments in Their CollaborationJoining the Circle (1961): Morisson officially integrated into the prestigious Galerie Denise René group in 1961. His early 1950s work at the Salon des Surindépendants featured a rigorous, constructive abstraction that naturally aligned him with the gallery's focus.Debut & Co-Exhibitors: Upon joining, he debuted in a joint November 1961 exhibition alongside Danish artist Richard Mortensen, placing him alongside elite contemporaries like Victor Vasarely, Jean Tinguely, Yaacov Agam, and Hugo Demarco.Editions and Portfolios: Beyond hosting his solo exhibitions (such as his prominent 1976 show), the gallery's publishing arm, Éditions Denise René, published limited editions of his work. This included his famous 1971 suite of seven lithographs titled Distances.Morisson's Style within the GalleryWhile closely linked to the gallery's kinetic and geometric "constructive" movement, Morisson preferred to view his strict geometries through the lens of a "20th-century landscape painter". His work heavily experimented with the musical resonance of colors, allowing the interaction of shifting color palettes to dictate the layout and spatial depth of his compositions rather than pre-planned forms.
La relation entre l'artiste autodidacte français Philippe Morisson (1924–1994) et la légendaire Galerie Denise René, scène avant-gardiste, à Paris, s’étend sur plus de 50 ans, ancrant Morisson comme une figure majeure de l’art abstrait géométrique de milieu de siècle.Key Moments in Their CollaborationJoining the Circle (1961): Morisson officially integrated into the prestigious Galerie Denise René group in 1961. His early 1950s work at the Salon des Surindépendants featured a rigorous, constructive abstraction that naturally aligned him with the gallery's focus.Debut & Co-Exhibitors: Upon joining, he debuted in a joint November 1961 exhibition alongside Danish artist Richard Mortensen, placing him alongside elite contemporaries like Victor Vasarely, Jean Tinguely, Yaacov Agam, and Hugo Demarco.Editions and Portfolios: Beyond hosting his solo exhibitions (such as his prominent 1976 show), the gallery's publishing arm, Éditions Denise René, published limited editions of his work. This included his famous 1971 suite of seven lithographs titled Distances.Morisson's Style within the GalleryWhile closely linked to the gallery's kinetic and geometric "constructive" movement, Morisson preferred to view his strict geometries through the lens of a "20th-century landscape painter". His work heavily experimented with the musical resonance of colors, allowing the interaction of shifting color palettes to dictate the layout and spatial depth of his compositions rather than pre-planned forms.

