Inna Etuvgi - IGLOO ON THE EDGE OF THE FALLEN LEAF






Plus de 35 ans d'expérience ; ancien galeriste et conservateur au Museum Folkwang.
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Impression fine art originale Giclée signée par Inna Etuvgi, « IGLOO ON THE EDGE OF THE FALLEN LEAF », édition 1/25, imprimée sur papier musée 100 % coton 43 × 33 cm (image 39 × 28,5 cm), expédiée directement par l’artiste et en état extrêmement bon, avec certificat d’authenticité.
Description fournie par le vendeur
IGLOO SUR LE BORD DE LA FEUILLE TOMBBÉE
fine art photography print by Inna Etuvgi
An arctic fairytale captured in the quiet forest of Huskvarna, Sweden. Is it an igloo somewhere in a parallel reality, or a frozen raindrop on a frost-covered leaf?
** Wonderland Under Our Feet collection.
ABOUT THE PRINT:
Type: Original Fine Art Print (Macro Photography)
Image Size: 39 x 28,5 cm
Paper Size: 43 x 33 cm
Paper: Archival Museum-quality paper, 100% cotton, 300gsm
Catawiki Special Edition: 1/25
Authenticity: Signed and numbered by the artist; includes a Certificate of Authenticity.
Condition: New, shipped directly from the artist's studio in Sweden.
OPTIONAL — MAT & READY-TO-FRAME PREPARATION
The print ships on its own, unmatted. If you’d like, I can mount it in a custom passepartout with a backing board, tailored to fit your frame perfectly.
I use pH-neutral archival materials and a reversible mount, so the print can always be removed without damage. This is an optional paid service — just message me for the price and details.
ABOUT THE ARTIST
Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino.
Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing.
As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."
IGLOO SUR LE BORD DE LA FEUILLE TOMBBÉE
fine art photography print by Inna Etuvgi
An arctic fairytale captured in the quiet forest of Huskvarna, Sweden. Is it an igloo somewhere in a parallel reality, or a frozen raindrop on a frost-covered leaf?
** Wonderland Under Our Feet collection.
ABOUT THE PRINT:
Type: Original Fine Art Print (Macro Photography)
Image Size: 39 x 28,5 cm
Paper Size: 43 x 33 cm
Paper: Archival Museum-quality paper, 100% cotton, 300gsm
Catawiki Special Edition: 1/25
Authenticity: Signed and numbered by the artist; includes a Certificate of Authenticity.
Condition: New, shipped directly from the artist's studio in Sweden.
OPTIONAL — MAT & READY-TO-FRAME PREPARATION
The print ships on its own, unmatted. If you’d like, I can mount it in a custom passepartout with a backing board, tailored to fit your frame perfectly.
I use pH-neutral archival materials and a reversible mount, so the print can always be removed without damage. This is an optional paid service — just message me for the price and details.
ABOUT THE ARTIST
Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino.
Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing.
As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."
