Gulliver & Hideteru Kimura - Too Much - 1970





Protection des acheteurs Catawiki
Votre paiement est en sécurité chez nous jusqu’à la réception de votre objet.Voir les informations
Trustpilot 4.4 | 145028 d’avis
Noté Excellent sur Trustpilot.
Too Much est un livre de photographie en japonais de Gulliver & Hideteru Kimura, publié en 1970 en première édition, avec une couverture souple et 306 pages.
Description fournie par le vendeur
Gulliver & Hideteru Kimura - Too Much - 1970 - Self Published - 306 pages - 11 x 17,8 cm
Artists: Kenji Kanesaka, Kenji Ishiguro, Masahisa Fukase, Hitomi Watanabe, Mitsutoshi Hanaga, Eizaburo Hara, Yoji Morita, Sakai Naori, Gulliver
Photos of: The Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, Andy Warhol, Che Guevara...
Editors: Gulliver, Hideteru Kimura
First edition. Softcover photobook. In good condition.
Too Much by Gulliver (Shinzo Azuchi Gulliver) & Hideki Kimura is a psychedelic rock'n'roll photobook born from Japan's underground scene. This softcover blends gritty black-and-white photomontages with Beatles lyrics and icons like Warhol, Guevara, and McLuhan, was published 2 months before Kimura's "Too Much" festival. Capturing the 1960s-70s countercultural frenzy, it's a raw, DIY artifact of rebellion and artistic fusion, prized by collectors of experimental Japanese visuals.
Gulliver & Hideteru Kimura - Too Much - 1970 - Self Published - 306 pages - 11 x 17,8 cm
Artists: Kenji Kanesaka, Kenji Ishiguro, Masahisa Fukase, Hitomi Watanabe, Mitsutoshi Hanaga, Eizaburo Hara, Yoji Morita, Sakai Naori, Gulliver
Photos of: The Beatles, Paul McCartney, John Lennon, George Harrison, Ringo Starr, Andy Warhol, Che Guevara...
Editors: Gulliver, Hideteru Kimura
First edition. Softcover photobook. In good condition.
Too Much by Gulliver (Shinzo Azuchi Gulliver) & Hideki Kimura is a psychedelic rock'n'roll photobook born from Japan's underground scene. This softcover blends gritty black-and-white photomontages with Beatles lyrics and icons like Warhol, Guevara, and McLuhan, was published 2 months before Kimura's "Too Much" festival. Capturing the 1960s-70s countercultural frenzy, it's a raw, DIY artifact of rebellion and artistic fusion, prized by collectors of experimental Japanese visuals.

