Michael Joseph (1941-) - Nivea now in tubs - frontal edition soft-brown toned authentic darkroom test print

00
jours
10
heures
10
minutes
26
secondes
Offre actuelle
€ 57
Sans prix de réserve
Kai Brückner
Expert
Sélectionné par Kai Brückner

Plus de 35 ans d'expérience ; ancien galeriste et conservateur au Museum Folkwang.

Estimation  € 600 - € 800
31 autres personnes s’intéressent cet objet
esEnchérisseur 2185 57 €
plEnchérisseur 9825 52 €
esEnchérisseur 2185 47 €

Protection des acheteurs Catawiki

Votre paiement est en sécurité chez nous jusqu’à la réception de votre objet.Voir les informations

Trustpilot 4.4 | 121798 d’avis

Noté Excellent sur Trustpilot.

Description fournie par le vendeur

“Nivea Nude, London ’80s”
Original darkroom print, in an upcycled goldy frame

A study in simplicity and strength - intimate, elegant, and unmistakably of its era.

This rare vintage print offers a quieter, more contemplative moment from a Nivea advertising commission in the 1980s.
Where the final published campaign chose a safer, more conventional pose, this earlier frame reveals something far more compelling:
a portrait of calm poise, unguarded beauty, and the gentle confidence of a woman entirely at ease in her own form.

The Composition
Soft, diffused light shapes the model’s figure with clarity and restraint.
A simple white cloth wraps gracefully around her hips — a minimal gesture that heightens the photograph’s sense of purity and poise.
Her posture is relaxed, almost serene, the tilt of her head giving the image a quiet introspection.
The clean, marble-like backdrop amplifies the sculptural quality of the pose, allowing the viewer to focus solely on line, light, and presence.

A Story Untold
In the final campaign image, the model faced away from the camera — a decision made to suit commercial expectations of the time.
This version, where she faces us, was left behind on the contact sheet.
Yet it is precisely this earlier moment that feels the most human:
a portrait that embraces honesty over perfection, presence over polish.

Framed in Grandeur
Presented in an ornate, gilded frame with baroque flourishes, width 38,5cms height 53cms.
The richness of this timeless mount contrasts beautifully with the photograph’s spare modernism —
a deliberate interplay that elevates the work and lends it a sense of timeless gravitas.

Why This Piece

A rare, unpublished alternative from a notable advertising commission.

An authentic piece from the photographer’s archive.

A striking artwork that celebrates natural grace and the quiet power of simplicity.

A conversation piece: sensitive, stylish, and evocative.

A moment reclaimed. A beauty redefined.
A distinctive addition to any collection of vintage fashion, advertising, or fine-art photography.

Bid now — and own the unseen.

À propos du vendeur

My father, Michael Joseph, was an advertising photographer based in London from the mid-sixties to the early nineties. During that time, he created some truly remarkable work — his most famous moment being the Beggars Banquet gatefold for the Rolling Stones. My ongoing mission is to share and celebrate what we call “the other photos” — the lesser-known but equally captivating pieces from his archive. Within this collection you’ll find a mix of test prints, images from specific photo shoots, and more personal works, all created with his characteristic passion and devotion. Many of these images owe their atmosphere to the magic of the darkroom: intricate group scenes, striking still lifes, and moments that draw the viewer in and stir emotion. Variety is key - and I often offer unique, one-off pieces. I hope you enjoy discovering my father’s work, and I look forward to sending you a genuine piece of photographic history.

“Nivea Nude, London ’80s”
Original darkroom print, in an upcycled goldy frame

A study in simplicity and strength - intimate, elegant, and unmistakably of its era.

This rare vintage print offers a quieter, more contemplative moment from a Nivea advertising commission in the 1980s.
Where the final published campaign chose a safer, more conventional pose, this earlier frame reveals something far more compelling:
a portrait of calm poise, unguarded beauty, and the gentle confidence of a woman entirely at ease in her own form.

The Composition
Soft, diffused light shapes the model’s figure with clarity and restraint.
A simple white cloth wraps gracefully around her hips — a minimal gesture that heightens the photograph’s sense of purity and poise.
Her posture is relaxed, almost serene, the tilt of her head giving the image a quiet introspection.
The clean, marble-like backdrop amplifies the sculptural quality of the pose, allowing the viewer to focus solely on line, light, and presence.

A Story Untold
In the final campaign image, the model faced away from the camera — a decision made to suit commercial expectations of the time.
This version, where she faces us, was left behind on the contact sheet.
Yet it is precisely this earlier moment that feels the most human:
a portrait that embraces honesty over perfection, presence over polish.

Framed in Grandeur
Presented in an ornate, gilded frame with baroque flourishes, width 38,5cms height 53cms.
The richness of this timeless mount contrasts beautifully with the photograph’s spare modernism —
a deliberate interplay that elevates the work and lends it a sense of timeless gravitas.

Why This Piece

A rare, unpublished alternative from a notable advertising commission.

An authentic piece from the photographer’s archive.

A striking artwork that celebrates natural grace and the quiet power of simplicity.

A conversation piece: sensitive, stylish, and evocative.

A moment reclaimed. A beauty redefined.
A distinctive addition to any collection of vintage fashion, advertising, or fine-art photography.

Bid now — and own the unseen.

À propos du vendeur

My father, Michael Joseph, was an advertising photographer based in London from the mid-sixties to the early nineties. During that time, he created some truly remarkable work — his most famous moment being the Beggars Banquet gatefold for the Rolling Stones. My ongoing mission is to share and celebrate what we call “the other photos” — the lesser-known but equally captivating pieces from his archive. Within this collection you’ll find a mix of test prints, images from specific photo shoots, and more personal works, all created with his characteristic passion and devotion. Many of these images owe their atmosphere to the magic of the darkroom: intricate group scenes, striking still lifes, and moments that draw the viewer in and stir emotion. Variety is key - and I often offer unique, one-off pieces. I hope you enjoy discovering my father’s work, and I look forward to sending you a genuine piece of photographic history.

Détails

Date d’impression
1985
Artiste
Michael Joseph (1941-)
Vendu(e) par
Propriétaire ou revendeur
Titre de l'œuvre d'art
Nivea now in tubs - frontal edition soft-brown toned authentic darkroom test print
Condition
État d'origine
Technique
Tirage au gélatino-bromure d'argent
Hauteur
39 cm
Édition
Vintage
Largeur
25,5 cm
Signature
Signé(e)
Genre
Nu
FranceVérifié
336
Objets vendus
100%
Particuliertop

Objets similaires

Pour vous

Photographie