These square tiles with geometric divisions are very characteristic of Transylvania, specifically the Saxon area. They represent a transition from late Gothic styles into the Renaissance. ​Material: The reddish-orange clay is typical of local alluvial clay found throughout the Romanian foothills. ​Dating: Based on the simplicity of the relief and the geometric layout, this likely dates to the late 17th or early 18th century. Geometric-floral hybrid motifs as - ​X Frame (St. Andrew’s Cross): The face is divided by a raised "X," creating four triangular compartments. This was a very popular structural design in the 16th and 17th centuries because it allowed for symmetrical patterns. ​- The "Tree of Life" / Stylized Lilies: In each of the four triangles, there is a stylized plant or flower (likely a lily or a simplified "Tree of Life"). This is a classic "all-over" pattern meant to look good when multiple tiles were placed side-by-side. - ​Toothed Border: It shares the same saw-tooth or "wolf-tooth" (colți de lup) border as the previous tile, suggesting they might be from the same region or even the same workshop. The Back of the Tile (The "Cupa") ​The last image is particularly interesting for historians: ​Soot and Carbon: The dark, blackened interior shows that this tile sat directly against the heat source for decades (or centuries). ​Finger Marks: Those circular dips are likely finger-press marks from the potter who pushed the wet clay into the mold. ​Structure: These tiles weren't flat; they were box-like. The "box" (the cupa) on the back helped create an air pocket that held and radiated heat long after the fire in the stove went out.