Kunst

Interiør og dekoration

Smykker og ædelstene

Ure, kuglepenne og lightere

Mode

Mønter og frimærker

Tegneserier og animation

Klassiske Biler, Motorcykler og automobilia

Vin, whisky og spiritus

Asiatisk Kunst og stammekunst

Byttekort

Legetøj og modeller

Arkæologi og naturhistorie

Sport

Musik, film og kameraer

Bøger og historiske memorabilia

De fineste genstande bragt til dig af {name}

Sebastian Hau

A photographer exhibits his books. One might object that this is only a manner of speaking. Photographers’ books are made up of their photographs. And indeed it is Raymond Depardon’s photographs that are displayed on the walls, accompanied by a few of his comments. All the same, the true organizing principle of this exhibition is the unity of the book. And the book signifies something other than a mere collection of images. It signifies, in a sense, the opposite: a closed volume, turned page by page, which stands in contrast to the spatial unfolding of images and subordinates their power to the direction of a discourse that tells us what we see, what the photographer has done, and what he and we can think of it. From the outset, then, this arrangement closes off a certain path—the path that places the free viewer before a self-sufficient image, the path of a certain autonomy of art. Raymond Depardon’s image is not self-sufficient.

It might be said that he belongs to the family of reporters, devoted to informing us about the world, rather than to that of visual artists devoted to the cult of form. But that explanation is superficial. The book, like the newspaper, certainly assigns the image to support a discourse or to be supported by it. Yet this is not a matter of one kind of dependence replacing another. Depardon’s books are the works of a photographer freed from the assignments given to a reporter, released from the obligation to provide the public with images of major events or pressing issues of the day. They are the works of an artist who is master of his images. But this very freedom of the photographer does not take the form of the image’s self-sufficiency. He first won it by placing other words beneath the reporter’s photographs. It thus takes the form of another heteronomy, where the image is doubly bound to the law of discourse: through its sequencing with other images and through the words that comment on it. It is photography’s own freedom that calls, for its fulfillment, for the supplement of words and the form of the book.

Fotografi - Antal: 1 - Signeret - Fotobog

Signed; Raymond Depardon - Detours - 2000

Kunst- og fotografibøger

Reservepris

Ingen mindstepris

Køb nu

Budget

Slutdato

23 april

25 april

26 april

27 april

24 april

lørdag

søndag

tirsdag

28 april

29 april

30 april

5 maj

Lokation

Frankrig

Italien

Japan

Holland

Tyskland

Belgien

Spanien

Portugal

Storbritannien

Rumænien

Polen

Slovakiet

Sverige

Østrig

Schweiz

Norge

Tjekkiet

Litauen

Ungarn

Estland

Irland

Israel

Brand

Rolex

Gucci

Armani

Cartier

Versace

Chanel

Fendi

Hermès

Pirelli

Dries Van Noten

Jean Paul Gaultier

Genstand

Fotobog

Tryk

Opslagsbog

Film & TV Memorabilia / Merchandise

Coffee table bog

Autografbrev underskrevet (ALS)

Fotografi

Magasin

Tegneserie Tryk

Fotoalbum

Manuskript

Dokument

Giclée

Brochure

Plakat

Plakatdesign

Bloktryk

Katalog

Tegneseriekunst

Evighedskalender

Skaksæt

Biografi

Bibel

Bogportefølje

Oprindelsesland

Förenta staterna

Canada

Tilstand

Som ny

Meget god

God stand

Blandet / flere

Rimelig

fremragende stand

Næsten som ny

Dårlig

Yderst fin

Meget fin

A (glimrende - så god som ny stand)

Original stand

Som ny - ubrugt

Ekstra tilbehør

Smudsomslag

Signeret

Slipcase

Signeret af forfatter

Signeret af tegner

Tallerkener med motiv

Plader eller kort, der kan foldes ud

Indgravere af forfatter

Begrænset oplag

Håndfarvede illustrationer

Nummereret udgave

Periode

19. århundrede

2000-2010

2010-2020

1980-1990

1960-1970

1990-2000

1930-1940

1920-1930

2020+

2000'erne

Emne

Erotik

Illustreret

Arkitektur

Historie

Sociologi

Brugskunst (Design)

Kunsthistorie

Grafisk design

Film og tv

Interiørdesign

Litteratur

Rejse / Udforskning

Musik

Nøgen

Filosofi

Biografier og erindringer

Religion

Reference

Samlede værker

Memorabilia

Stil

Renæssance

Samtidskunst

Popkunst

Moderne

Surrealisme

Abstrakt

Art Deco

Art Nouveau

Konceptkunst

Futurisme

Ekspressionist

Fotorealisme

Barok

Klassisk

Kubisme

Realisme

Minimalisme

Symbolik

Graffiti

Metafysisk kunst

Romersk antik

Impressionistisk

Romantikken

Bauhaus

Op art

Teknik

Gravering

Offsettryk

Digitaltryk

Litografi

Andet

Gelatine-sølv tryk

Polaroid

Signatur

Plade underskrevet

Ikke signeret

Håndunderskrevet

Stemplet

Bind

Hardback

Kunst- og fotografibøger

Denne genstand er ikke længere tilgængeligt, men der er stadig meget at udforske

Signed; Raymond Depardon - Detours - 2000

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