Rassegna n.10 Allestimenti & n.12 Architettura nelle riviste d'avanguardia - 1982





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Description from the seller
Installations: Introduction by Pasquale Plaisant and Sergio Polano
A visual machine: The art installation and its modern archetypes by Germano Celant includes work by Giacomo Balla, Ivan Puni, El Lissitzky, Marcel Duchamp, Frederick Kiesler, and Walter Gropius.
A Logic of Representation: Elements of the Exhibition Structure by Nicola Marras includes work by Achille Castiglioni with Paolo Ferrari and Max Huber.
To showcase oneself: La Biennale di Venezia and its exhibitors by Giandomenico Romanelli includes work by Carlo Scarpa, Franco Albini, Livio Castiglioni, and Davide Boriani among others.
The technology of cardboard: Futurist invention of spectacle environments by Pierpaolo Vetta includes many works by Fortunato Depero among a few others.
La Triennale di Milano 1923-1947: Exhibition, abstraction, contextualization by Giacomo Polin includes works by Carlo Carra, Fortunato Depero, Gigi Chessa, Giuseppe Terragni, Joseph Hoffmann, L. Figini and G. Pollini, Giovanni Muzio and Mario Sironi, Luigi Piccinato, F. Albini, G. Pagano, R. Camus, G. Palanti, T. Mazzoleni and G. Minoletti, Ettore Prampolini, Max Bill, F. Albini and G. Romano, BBPR and Renzo Camus among others.
The self-representation of fascism: the ten-year anniversary exhibition of the March on Rome by Giorgo Ciucci includes works by Mario De Renzi and Adalberto Libera, Ettore Prampolini, Marcello Nizzoli, Giuseppe Terragni, and Mario Sironi, among others.
The Quadriennale di Roma: Between tradition and innovation by Silvio Pasquarelli
The absence of the object: Exhibition at the Triennale 1947-1968 by Gaddo Morpungo
The show to visit: Set-up and visual communication by Gaddo Morpungo
The staging and the industry: The ephemeral and its opposite by Pierparide Vidari includes work by Marcello Nizzoli, Herbert Bayer, Malcolm Allum, Albert Leclerc, Erberto Carboni, Achille and Pier Giacomo Castiglioni, Gio Ponti, and Constantino Corsini, among others.
Allusione e illusione: Notes on the design of some contemporary exhibitions includes work by Achille Castiglioni, Constantino Dardi, Aldo Rossi, Daniela Ferretti, Maurizio Di Puolo, M. Albini, F. Helg, Roberto Einaudi, Paolo Piva, Marco Dezzi Bardeschi, Guido Canali, Gregotti Assoc., Bruno Monguzzi, and Roberto Menghi among others.
Installations: Introduction by Pasquale Plaisant and Sergio Polano
A visual machine: The art installation and its modern archetypes by Germano Celant includes work by Giacomo Balla, Ivan Puni, El Lissitzky, Marcel Duchamp, Frederick Kiesler, and Walter Gropius.
A Logic of Representation: Elements of the Exhibition Structure by Nicola Marras includes work by Achille Castiglioni with Paolo Ferrari and Max Huber.
To showcase oneself: La Biennale di Venezia and its exhibitors by Giandomenico Romanelli includes work by Carlo Scarpa, Franco Albini, Livio Castiglioni, and Davide Boriani among others.
The technology of cardboard: Futurist invention of spectacle environments by Pierpaolo Vetta includes many works by Fortunato Depero among a few others.
La Triennale di Milano 1923-1947: Exhibition, abstraction, contextualization by Giacomo Polin includes works by Carlo Carra, Fortunato Depero, Gigi Chessa, Giuseppe Terragni, Joseph Hoffmann, L. Figini and G. Pollini, Giovanni Muzio and Mario Sironi, Luigi Piccinato, F. Albini, G. Pagano, R. Camus, G. Palanti, T. Mazzoleni and G. Minoletti, Ettore Prampolini, Max Bill, F. Albini and G. Romano, BBPR and Renzo Camus among others.
The self-representation of fascism: the ten-year anniversary exhibition of the March on Rome by Giorgo Ciucci includes works by Mario De Renzi and Adalberto Libera, Ettore Prampolini, Marcello Nizzoli, Giuseppe Terragni, and Mario Sironi, among others.
The Quadriennale di Roma: Between tradition and innovation by Silvio Pasquarelli
The absence of the object: Exhibition at the Triennale 1947-1968 by Gaddo Morpungo
The show to visit: Set-up and visual communication by Gaddo Morpungo
The staging and the industry: The ephemeral and its opposite by Pierparide Vidari includes work by Marcello Nizzoli, Herbert Bayer, Malcolm Allum, Albert Leclerc, Erberto Carboni, Achille and Pier Giacomo Castiglioni, Gio Ponti, and Constantino Corsini, among others.
Allusione e illusione: Notes on the design of some contemporary exhibitions includes work by Achille Castiglioni, Constantino Dardi, Aldo Rossi, Daniela Ferretti, Maurizio Di Puolo, M. Albini, F. Helg, Roberto Einaudi, Paolo Piva, Marco Dezzi Bardeschi, Guido Canali, Gregotti Assoc., Bruno Monguzzi, and Roberto Menghi among others.

