Canvas Fit - Alberto Ricardo - “Juguetes de Dos Universos: Batman y Spider-Man en Clave Urbana”

Artwork created on professional canvas using the giclée printing technique on canvas. Digital art using contemporary media and AI.
Artwork by the artist Canvas Fit-Alberto Ricardo created using Giclée print technique on high-quality professional canvas, 100% cotton, highly resistant to handling and external agents, from the Eco Canvas Roma Glossy brand, satin finish.
We guarantee a durable product with visual quality.
Painting with dimensions of 60 x 80 cm and a depth of 5 cm.
Limited edition 2/5.
On the back of the piece, you will find the details about the work.
The shipment will be made through United Parcel Service (UPS) for Spain and Europe, and through Fedex for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble nylon, and placed in a sturdy tube.
Once the work has been paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.


In this vibrant and provocative giclée, two iconic figures from the superhero universe—Batman and Spider-Man—are presented as Lego figures, intervened by the chaos of the street and the visual language of urban art. They are not just toys: they are symbols that have been appropriated by contemporary culture, transformed into canvases that speak of identity, rebellion, and aesthetic convergence.

Both characters, from opposing publishers — DC and Marvel — appear together as companions, setting aside their franchise rivalry. The Batman in this composition retains his dark demeanor, furrowed brow, and air of mystery, but his suit is covered in graffiti colors, paint splatters, illegible tags, and visual references that evoke street art from cities like New York, Berlin, or Mexico City. His yellow belt shines with ironic strength, amidst a torso invaded by cryptic messages and disruptive textures.

Next to him, Spider-Man sports a more relaxed outfit: his classic arachnid design remains, but it is now complemented by a denim jacket that has also been spray-painted with graphic strokes and visual stickers. His figure radiates dynamism and youth, in contrast to Batman's rigidity. Together, they form a symbolic pair: the nocturnal vigilante and the neighborhood hero, now united in a single visual language.

The background of the artwork reinforces this urban aesthetic. Electric blue and concrete gray blend like city walls painted by street artists. Letters, scribbles, and abstract strokes float seemingly at random, as if the wall itself had witnessed thousands of stories. It is not just a decoration, but a visual scream, a texture that completes the narrative.

This encounter between childhood and street art is the true driving force of the message. Legos, symbols of construction and imagination, now appear deconstructed and reimagined in an aesthetic universe that is foreign to them, yet at the same time perfect. Superheroes cease to be untouchable models and become objects that can be transformed, appropriated, and intervened upon through the language of the street.

The giclée is not simply a tribute to Batman and Spider-Man. It is a reinterpretation of pop iconography through the lens of urban art. It invites the viewer to consider how we consume and transform our cultural idols, how we bring them down from their pedestals and make them part of our daily lives—our walls, our streets, our games.

It is an image that blends nostalgia, irreverence, and cultural critique, celebrating the beauty of hybridity. In this new universe where everything can coexist, Batman and Spider-Man, like toys painted by the electric pulse of the city, become metaphors for a generation that refuses to stand still.