Dogon - Figure - Dogon figure - Dogon - Mali

The Dogon live in the elevated rocky heights of Mali's Bandiagara Escarpment. They rely on agriculture and manage to wrest subsistence crops from poor soil in an area that receives little rain. This monumental figure is one of the largest Dogon sculptures known. The region's dry climate has preserved Dogon works far longer than is usual for African wood sculpture, and radiocarbon testing of this work suggests that it may date as far back as the fifteenth century.

Dogon sculpture is primarily concerned with the spirits responsible for the fertility of both land and people. These include a family's real and mythical ancestors, the souls of women who died in childbirth, and water spirits. While the exact functions and meanings of individual works often remain obscure, scholars agree that Dogon sculptures were created for shrines.

The most distinctive subject depicted by Dogon sculptures is a single figure standing with raised arms. This posture has usually been interpreted as a gesture of prayer—an effort to connect earth and sky—and it has been suggested that it may symbolize a plea for rain. This masterpiece of Dogon figurative art shows a man with a well-defined body in a naturalistic stance. The artist has carefully depicted the figure's musculature, anatomical details, and body ornaments. His stylized beard identifies him as an elder and an individual whose age and experience grant him the right to participate in the most important religious, political, and social affairs of Dogon society. The figure wears wristlets, armlets, and anklets that denote his status, along with a belt and neck pendants resembling leather talismans that also imply his spiritual significance.

Provenance

Julius Carlebach Gallery, New York 1970