De Olde Kruyk D.O.K. Milsbeek - Pitcher - Crock, rustic decor, reddish-brown speckled glaze • marked, 1950s–1960s - Stoneware






Thirty years' experience in decorative objects and two decades as shop owner.
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Ceramic stoneware jug with a rustic décor in a deep iron-brown speckled glaze, hand-thrown by De Olde Kruyk Milsbeek and dated to the 1950s–1960s; 12 cm high, 13 cm diameter, about 705 g, in good used condition with a glaze flake at the upper rim.
Description from the seller
Title
Crock, rustic decor, reddish-brown speckled glaze, De Olde Kruyk Milsbeek, marked, 1950s–1960s
705 grams
Description
Handcrafted earthenware jug with a globular body, short cylindrical neck, and applied handle, executed in a deep reddish-brown to iron-brown speckled glaze with a lively, slightly irregular surface. The object is wheel-thrown and exhibits a sober, archaic form language, emphasizing functionality and material expression.
On the underside, fitted with the original paper atelier sticker bearing the inscription 'Olde Kruyk – Handwerk – Milsbeek – Holland'. This brand sticker was used in the post-war period, particularly in the 1950s and 1960s, and indicates artisanal production intended for both the Dutch and international markets.
The jug was produced at De Olde Kruyk in Milsbeek, a Dutch ceramic studio that, after World War II, took a recognizable place within post-war artisanal pottery. During this period, the Netherlands experienced a renewed appreciation for craftsmanship and natural materials, partly as a reaction to industrial mass production. In this context, De Olde Kruyk developed a production style where simple forms, robust proportions, and iron-rich, earthy glazes played an important role.
From the mid-1950s, the artistic direction of the studio was also shaped by Piet Kurstjens, under whose leadership the focus shifted to jewelry ware and studio-like production. The objects from this period were largely produced collectively; individual makers were not signed, and forms and glazes were applied studio-wide.
Condition: in good used condition with a glaze chip at the upper edge. This does not detract from the decorative value of the special jug.
The iron oxide-rich glaze used, with its warm color nuances and subtle texture variations, is characteristic of De Olde Kruyk and closely aligns with the aesthetic preferences of the 1950s and 1960s. The jug thus serves as a representative example of Dutch post-war studio pottery, in which simplicity, craftsmanship, and material experience were deliberately prioritized over decorative exuberance.
Seller's Story
Title
Crock, rustic decor, reddish-brown speckled glaze, De Olde Kruyk Milsbeek, marked, 1950s–1960s
705 grams
Description
Handcrafted earthenware jug with a globular body, short cylindrical neck, and applied handle, executed in a deep reddish-brown to iron-brown speckled glaze with a lively, slightly irregular surface. The object is wheel-thrown and exhibits a sober, archaic form language, emphasizing functionality and material expression.
On the underside, fitted with the original paper atelier sticker bearing the inscription 'Olde Kruyk – Handwerk – Milsbeek – Holland'. This brand sticker was used in the post-war period, particularly in the 1950s and 1960s, and indicates artisanal production intended for both the Dutch and international markets.
The jug was produced at De Olde Kruyk in Milsbeek, a Dutch ceramic studio that, after World War II, took a recognizable place within post-war artisanal pottery. During this period, the Netherlands experienced a renewed appreciation for craftsmanship and natural materials, partly as a reaction to industrial mass production. In this context, De Olde Kruyk developed a production style where simple forms, robust proportions, and iron-rich, earthy glazes played an important role.
From the mid-1950s, the artistic direction of the studio was also shaped by Piet Kurstjens, under whose leadership the focus shifted to jewelry ware and studio-like production. The objects from this period were largely produced collectively; individual makers were not signed, and forms and glazes were applied studio-wide.
Condition: in good used condition with a glaze chip at the upper edge. This does not detract from the decorative value of the special jug.
The iron oxide-rich glaze used, with its warm color nuances and subtle texture variations, is characteristic of De Olde Kruyk and closely aligns with the aesthetic preferences of the 1950s and 1960s. The jug thus serves as a representative example of Dutch post-war studio pottery, in which simplicity, craftsmanship, and material experience were deliberately prioritized over decorative exuberance.
