Icon - Mother of God of Feodor - Wood






Holds broad knowledge of religious icons with six years of collecting experience.
| €100 | ||
|---|---|---|
| €70 | ||
| €60 | ||
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Description from the seller
The Virgin of Feódorov (Feodoróvskaya / Феодоровская) is one of the most venerated Marian icons in Russian tradition. The one you show clearly corresponds to this type of iconography.
Iconographic identification
Type: Eleúsa (Virgin of Tenderness).
The Mother leans her face towards the Child, who rests on her cheek in a gesture of intimacy and love.
Characteristic gestures
El Niño embraces María and rests his face on hers; María holds the Child with one hand and with the other presents him to the faithful.
Registrations
Traditional Greek abbreviations
Meter Theou (Madre de Dios).
Jesus Christ
Lateral Santos
Saints appear on both sides in vertical registers, a very common feature in Russian versions.
Above: Saint Gregory and Saint Basil the Great (Church Fathers).
Below: saints, martyrs, or nuns, protectors and models of ascetic life.
These companions reinforce the protective character of the icon.
Theological significance
Tenderness expresses the true Incarnation: Christ is both a true child and true God.
The gesture of the Child, clinging to the Mother, alludes to future suffering (Passion) and to Mary's compassion.
María does not look at herself but presents Christ to the believer as the way of salvation.
Origin and veneration
Medieval Russian tradition, historically linked to Kostroma.
She was considered a protector of the Russian people and was closely linked to the Romanov dynasty.
It was invoked especially in times of danger, illness, and national crisis.
Style and approximate dating
Technique: egg temple on a board, gold background.
Style: firm line drawing, warm colors (deep reds and ochres), greenish flesh tones typical of the Russian canon.
Probable dating: 19th-20th centuries.
The Virgin of Feódorov (Feodoróvskaya / Феодоровская) is one of the most venerated Marian icons in Russian tradition. The one you show clearly corresponds to this type of iconography.
Iconographic identification
Type: Eleúsa (Virgin of Tenderness).
The Mother leans her face towards the Child, who rests on her cheek in a gesture of intimacy and love.
Characteristic gestures
El Niño embraces María and rests his face on hers; María holds the Child with one hand and with the other presents him to the faithful.
Registrations
Traditional Greek abbreviations
Meter Theou (Madre de Dios).
Jesus Christ
Lateral Santos
Saints appear on both sides in vertical registers, a very common feature in Russian versions.
Above: Saint Gregory and Saint Basil the Great (Church Fathers).
Below: saints, martyrs, or nuns, protectors and models of ascetic life.
These companions reinforce the protective character of the icon.
Theological significance
Tenderness expresses the true Incarnation: Christ is both a true child and true God.
The gesture of the Child, clinging to the Mother, alludes to future suffering (Passion) and to Mary's compassion.
María does not look at herself but presents Christ to the believer as the way of salvation.
Origin and veneration
Medieval Russian tradition, historically linked to Kostroma.
She was considered a protector of the Russian people and was closely linked to the Romanov dynasty.
It was invoked especially in times of danger, illness, and national crisis.
Style and approximate dating
Technique: egg temple on a board, gold background.
Style: firm line drawing, warm colors (deep reds and ochres), greenish flesh tones typical of the Russian canon.
Probable dating: 19th-20th centuries.
