Satimbe Mask Dogon - Dogon - Mali






Holds a postgraduate degree in African studies and 15 years experience in African art.
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Satimbe Mask of the Dogon people, Mali; from a private collection; carved wood with original vegetal fibre adornments; mid-20th century; 103 × 45 × 15 cm; excellent condition.
Description from the seller
Important Satimbe mask of the Dogon people, from the Bandiagara plateau (Mali), made of hand-carved wood with original applications in plant fibers.
Datable to the mid-20th century, it represents one of the most emblematic types of Dogon ritual art.
The mask is topped by the classic female figure Satimbe, recognizable by her frontal posture and raised arms, one of which holds a ritual cup.
Satimbe is considered the first woman to have discovered and transmitted the language of the masks, a fundamental figure in Dogon cosmogony and in the tradition of ritual dances.
The elongated face below, with rectangular openings for the eyes and a stylized mouth, is typical of the Dogon style and gives the overall piece a strong sculptural presence.
The bindings in natural fiber, visible on the arms and waist, are original and testify to the ceremonial use of the object.
The surface exhibits a warm and uniform patina, with signs of wear consistent with age and ritual use, which enhance its authenticity and historical value.
From a private collection.
Important Satimbe mask of the Dogon people, from the Bandiagara plateau (Mali), made of hand-carved wood with original applications in plant fibers.
Datable to the mid-20th century, it represents one of the most emblematic types of Dogon ritual art.
The mask is topped by the classic female figure Satimbe, recognizable by her frontal posture and raised arms, one of which holds a ritual cup.
Satimbe is considered the first woman to have discovered and transmitted the language of the masks, a fundamental figure in Dogon cosmogony and in the tradition of ritual dances.
The elongated face below, with rectangular openings for the eyes and a stylized mouth, is typical of the Dogon style and gives the overall piece a strong sculptural presence.
The bindings in natural fiber, visible on the arms and waist, are original and testify to the ceremonial use of the object.
The surface exhibits a warm and uniform patina, with signs of wear consistent with age and ritual use, which enhance its authenticity and historical value.
From a private collection.
