Marie Louise Ogier (1912-2003) - Vallée en automne, vers 1950

Marie Louise Ogier (circa 1950) – Valley in Autumn – Oil on Panel

Description

Artist: Marie Louise Ogier (1912–2003)
Valley in Autumn
Year: around 1950
Technique: Oil on panel
Signature: Artist's stamp on the back.
Dimensions: 55 cm x 38 cm

Framing: Sold unframed

State: Good overall condition, small wear on the edge, panel very slightly warped.

Provenance

This work comes directly from the studio of Marie Louise Ogier, dispersed at the request of her family. Preserved for several decades within the family setting, it is part of a collection of rare and intimate works, bearing witness to the artist's period of research and pictorial freedom in the mid-20th century.

Description of the work

Created around 1950, 'Valley in Autumn' illustrates Marie Louise Ogier's sensitivity to mountain landscapes and the changing light of the seasons. The composition is organized around a valley lively with hills in red and green hues, beneath a shifting sky blending grays, blues, and yellows of sunset. In the foreground, slender trees, stripped of their leaves, punctuate the scene and emphasize the depth of the visual field.

The palette, rich and nuanced, combines warm tones of ochre and vermilion with deep greens and cool blues. The brushstroke, free and nervous, gives the whole an expressive intensity that conveys the vitality of the landscape more than a simple realistic representation.

This painting, typical of Ogier's maturity period, reveals his taste for structured composition and vibrant light. It demonstrates his ability to capture the silent poetry of natural landscapes through a painting that is both sensitive and energetic.

Biography of Marie Louise Ogier

Marie Louise Ogier (1912-2003) was a French painter and artist whose work is distinguished by a poetic approach to nature and a subtle mastery of color.

Trained at the Académie de la Grande Chaumière under Lévy-Dhurmer and Othon Friesz, she develops a modern figurative style, at the crossroads of realism and impressionist sensitivity.

From the 1950s onwards, she regularly exhibited at major Parisian salons – Salon d’Automne, Salon de Paris, Société Nationale des Beaux-Arts – and became a member of several artistic institutions. Her landscapes, like her famous floral compositions, reflect a constant search for light and chromatic harmony.

His works are now part of many private collections in France and abroad.

Market and artistic interest
Marie Louise Ogier's works are gaining increasing interest in the art market. Her paintings, regularly featured in international auctions, often exceed their initial estimates. Her production from the 1950s, marked by pictorial freedom and a great sensitivity to nature, is particularly sought after by collectors.
Acquiring an Ogier work is like offering oneself a fragment of a pictorial universe that is both lyrical and balanced, where light becomes the true subject of the painting.