Max Thalmann - Der Dom [10 original signed woodcuts] - 1926
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Studied history and managed a large online book catalogue with 13 years' antiquarian bookshop experience.
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Der Dom [10 original signed woodcuts], a single-copy 1926 German-language portfolio by Max Thalmann, featuring ten original signed woodcuts in a Bauhaus-influenced expressionist style, published as an Erstauflage Limited and numbered edition by Eugen Diederichs, Jena, with loose pages.
Description from the seller
Max Thalmann (1884–1944)
The Cathedral, 1926
Maps with 10 original woodcuts, all individually signed.
German Expressionism / Bauhaus-inspired / spiritual-architectural abstraction
Complete expressionist portfolio 'The Cathedral' by Max Thalmann, published in 1926. It contains ten powerful original woodcuts in black and white, exploring the spiritual and architectural impact of the cathedral.
The sheets display Thalmanns' characteristic, strongly rhythmic line work and the monumental, almost abstract formal language of German Expressionism of the 1920s. Each sheet is signed by the artist.
Thalmann was a student and companion in the circle of Feininger, Kirchner, and Schmidt-Rottluff. The portfolio The Cathedral ranks among his most mature print cycles and explores the Gothic cathedral as a spiritual, almost mystical structure – typical of the expressionist architectural perspective of the 1920s.
The map is considered one of Max Thalmann's central graphic works and is comparatively rarely fully preserved.
Max Thalmann (1884–1944)
The Cathedral, 1926
Maps with 10 original woodcuts, all individually signed.
German Expressionism / Bauhaus-inspired / spiritual-architectural abstraction
Complete expressionist portfolio 'The Cathedral' by Max Thalmann, published in 1926. It contains ten powerful original woodcuts in black and white, exploring the spiritual and architectural impact of the cathedral.
The sheets display Thalmanns' characteristic, strongly rhythmic line work and the monumental, almost abstract formal language of German Expressionism of the 1920s. Each sheet is signed by the artist.
Thalmann was a student and companion in the circle of Feininger, Kirchner, and Schmidt-Rottluff. The portfolio The Cathedral ranks among his most mature print cycles and explores the Gothic cathedral as a spiritual, almost mystical structure – typical of the expressionist architectural perspective of the 1920s.
The map is considered one of Max Thalmann's central graphic works and is comparatively rarely fully preserved.
