Eugène Eechaut (1928-2019) - 2 works- Abstract landscape - Framed

Eugène Eechaut (1928-2019)

Watercolor on paper, signed, dated and framed

This set brings together two watercolor works by Eugène Eechaut, offering a poetic and atmospheric dialogue between color, memory, and landscape. Executed in watercolor on paper, the works unfold as semi-abstract visions of nature, where recognizable elements dissolve into mood, light, and texture rather than precise form. The compositions feel contemplative and timeless, inviting the viewer into an inner landscape shaped as much by emotion as by place.

Eechaut’s handling of watercolor is both confident and intuitive. Layers of translucent blues, greens, and ochres merge with darker accents, creating depth and a sense of slow movement—like weather passing over land or light shifting across hills. The surfaces reveal subtle granulation, stains, and spontaneous marks that testify to the artist’s sensitivity to the medium and his ability to let chance play a controlled role in the creative process.

Both works are signed and dated by the artist, confirming their authenticity and situating them clearly within his mature period. Presented together as a two-piece set, they complement one another visually and conceptually, functioning as variations on a shared atmosphere rather than as isolated images. The watercolors are framed in simple wooden frames with glass, understated and elegant, and are ready to be displayed, making the set a complete and harmonious ensemble that reflects Eechaut’s lyrical approach to landscape and abstraction.

The works are signed and dated by the artist, bears his distinctive studio stamp

The dimensions with a simple frame measure 22 × 31 cm


About the artist:

Eugène Eechaut (1928–2019) was a Belgian artist whose career evolved at the crossroads of imagination, technical discipline, and artistic dialogue. He began gaining recognition in 1958, when he received his first distinctions from the European Center for Art and Aesthetics. Early in his career, Eechaut became a member of the artist collective JECTA, an influential Belgian group that included René Magritte. His participation in this circle is confirmed by two surviving newspaper clippings documenting shared exhibitions and professional activity within the group.

Since the 1960s, Eugène Eechaut became a regular participant in exhibitions at the Tamara Pfeiffer Gallery in Brussels, a venue internationally recognized for presenting leading figures of modern and avant-garde art. A preserved invitation card from the 1968–1969 exhibition season confirms that Eechaut exhibited in the same gallery alongside major artists such as Max Ernst, Jean Cocteau, Paul Klee, Dorothea Tanning, Léon Navez, Dunoyer de Segonzac, and Félix Labisse. These archival materials clearly demonstrate that Eechaut shared exhibition space with some of the most influential artists of the twentieth century.

Over the course of his artistic life, Eechaut developed several distinctive and recognizable artistic styles, rather than adhering to a single visual language. His work is characterized by evolving color palettes and a strong sense of structure, combining elegance with expressive freedom. He gradually refined and mastered ink techniques, achieving a high level of precision and control that became a defining element of his artistic identity.

Despite consistent exhibition activity and professional recognition, Eechaut remained notably discreet and protective of his work, rarely offering pieces for sale—even within his own family. This personal approach has contributed to the rarity of his works on the market today. Supported by archival documents, exhibition invitations, and press records, Eugène Eechaut’s legacy emerges as that of a disciplined and original artist, firmly embedded in the European art scene and in direct dialogue with some of its most celebrated figures.

Will be well packaged, protected and insured