Carl Laszlo - Panderma No. 9 [with all contents] - 1969

The first issue of the legendary Neo-avant-garde art magazine is up for auction.

"PANDERMA Review of the End of the World No. 9"

Since 1969, from the publisher CARL LASZLO Basel.

The edition includes original unsigned screenprints by the artists LALOY and VAN DYKEN.

The magazine is complete with all inserts and in good condition. The serigraphs have been stored in an acid-free sleeve, which explains the good condition. The magazine shows age-related signs of wear and paper discoloration, occasional creases, and stains. The art magazine is nevertheless in very good overall condition for its age. Please view photos for the condition.

Attachments
Black-and-White linocut LALOY (Very good) on stiff cardboard 821 x 29.5 cm
BLACK-WHITE linocut VAN DYKEN (Very good) 27.5x27.5 cm
TWO MANIFESTOS (Panderma) for the present issue (very good).



PANDERMA and Other Publications by Carl Laszlos

From 1958 to 1977, Carl Laszlo, among others, published 13 issues of the art magazine Panderma. This provides art.
an important platform for the post-1945 avant-garde with texts and inserts. There, almost-forgotten figures also present themselves.
Female and male artists of the pre-war years (including Arp, Beöthy Steiner) as well as still little-known ones
Rising talents of the art scene (Vasarely, Hundertwasser, etc.). In 1982 he founded the art magazine Radar
(six issues).

TO THE PUBLISHER

At the end of the 1950s, Carl Laszlo develops into one of the most important collectors, publicists, and patrons of the
Art of the Modern. He lives in Basel in an Art Nouveau house, which over the years has been transformed as a place of history, life, and art into a private museum of Modern and Contemporary Art and a meeting point for artists, intellectuals, and protagonists of the international art scene. He finances his art collection through the sale of Art Nouveau objects that he had acquired more cheaply after the war. In 1962 he opens a gallery in Basel. He begins publishing art editions for a broader audience (including La lune en rodage I–III, Das kleine Museum I). The artist Hans Arp inspires him to this idea, in order to pay off the growing debts from printing the publications.
Laszlo regularly supports artists. Among other things, he helps Lajos Kassák in the 1960s in
Western Europe draws new attention. Since Kassák is only able to leave Hungary with difficulty, Laszlo smuggles him out.
Stickers bearing Kassák's signature to Switzerland, where he uses them for his print editions.
From 1958 to 1977, Carl Laszlo, among others, published 13 issues of the art magazine Panderma. This provides art.
an important platform for the post-1945 avant-garde with texts and inserts. There, almost-forgotten figures also present themselves.
Artists of the pre-war years (including Arp, Beöthy Steiner) as well as still relatively little-known emerging talents in the art scene (Vasarely, Hundertwasser, etc.). In 1982 he founded the art magazine Radar (six issues).

(SOURCE: home is where my art is - a visit to Carl Laszlo and the Hungarian avant-garde by Ferenc Kréti Moloko Verlag)