Architectural ornament - Samaki Likankua - 1950-1960






Holds a postgraduate degree in African studies and 15 years experience in African art.
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Samaki Likankua (sometimes referred to as Likankua/Likonkua)– Expressive Figural Group – Ebony Wood – 51 cm – Kenya
Description
Striking hand-carved wooden sculpture by the Kenyan artist Samaki (date of birth unknown – died 1989).
This expressive vertical composition depicts three elongated human figures supporting a dynamic upper figure in a dramatic pose. The work reflects the modern East African sculptural style of the mid to late 20th century, characterized by:
Strong vertical movement
Stylized, elongated bodies
Emotive facial expressions
Rhythmic open space within the composition
Carved from dark hardwood, likely ebony, with a deep natural patina developed over time.
Signed “SAMAKI” on the base.
Samaki was active in Kenya during the second half of the 20th century and is known for expressive figural compositions intended for both local and international collectors. His works are recognizable by their elongated proportions and theatrical presence.
Height: 51 cm
Material: Hardwood (likely ebony)
Condition: Good overall condition with visible age-related wear and a crack to the base consistent with natural wood movement.
Samaki Likankua (sometimes referred to as Likankua/Likonkua) is an African artist who is known for his work in the Makonde art style, particularly the "Shetani" sculpture style mentioned in the image text.
Here are some details about the artist based on the provided text:
Origin: He was born in Diaca on the Mueda plateau in Mozambique (Cabo Delgado district). His exact date of birth is unknown.
Migration and Work: In the early 1950s, Samaki immigrated to Tanzania, initially working in Mtwara and later in Dar es Salaam for Mohamed Fira.
Artistic Innovation: In 1953, he "invented" the Shetani sculpture style more or less by accident when he sold a broken art piece to Fira as if it was intentionally created that way.
Later Career: He subsequently worked for a year or two near Mhoronga, in southwestern Tanzania, near the Ruvuma River, which forms the border.
Signature: Samaki was likely one of the first carvers to sign his sculptures, although very few signed works of his have been seen.
Decease: He passed away in 1989.
Samaki Likankua (sometimes referred to as Likankua/Likonkua)– Expressive Figural Group – Ebony Wood – 51 cm – Kenya
Description
Striking hand-carved wooden sculpture by the Kenyan artist Samaki (date of birth unknown – died 1989).
This expressive vertical composition depicts three elongated human figures supporting a dynamic upper figure in a dramatic pose. The work reflects the modern East African sculptural style of the mid to late 20th century, characterized by:
Strong vertical movement
Stylized, elongated bodies
Emotive facial expressions
Rhythmic open space within the composition
Carved from dark hardwood, likely ebony, with a deep natural patina developed over time.
Signed “SAMAKI” on the base.
Samaki was active in Kenya during the second half of the 20th century and is known for expressive figural compositions intended for both local and international collectors. His works are recognizable by their elongated proportions and theatrical presence.
Height: 51 cm
Material: Hardwood (likely ebony)
Condition: Good overall condition with visible age-related wear and a crack to the base consistent with natural wood movement.
Samaki Likankua (sometimes referred to as Likankua/Likonkua) is an African artist who is known for his work in the Makonde art style, particularly the "Shetani" sculpture style mentioned in the image text.
Here are some details about the artist based on the provided text:
Origin: He was born in Diaca on the Mueda plateau in Mozambique (Cabo Delgado district). His exact date of birth is unknown.
Migration and Work: In the early 1950s, Samaki immigrated to Tanzania, initially working in Mtwara and later in Dar es Salaam for Mohamed Fira.
Artistic Innovation: In 1953, he "invented" the Shetani sculpture style more or less by accident when he sold a broken art piece to Fira as if it was intentionally created that way.
Later Career: He subsequently worked for a year or two near Mhoronga, in southwestern Tanzania, near the Ruvuma River, which forms the border.
Signature: Samaki was likely one of the first carvers to sign his sculptures, although very few signed works of his have been seen.
Decease: He passed away in 1989.
