Joel Sternfeld - American Prospects - 1994





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Joel Sternfeld's American Prospects, 1st Edition Thus, softback, 129 pages, 26 cm by 31 cm, Chronicle Books, English, 1994; in very good condition.
Description from the seller
First published in 1987 with Hardcover by Times Books, this is the 1st Printing of the 1st Paperback edition, book is in good condition but due its age it has some scratches and shelfwear on cover and some wrinkles, you can check every corner on pictures. Little black pen smilie on tittle page from last owner.
“Joel Sternfeld traveled the country for some eight years with an 8x10 view camera and color film, a sojourn that produced his first and best-known book, American Prospects... The particular quality Sternfeld brought to the 8x10 color landscape aesthetic... is a clear narrative sense... In American Prospects, each image suggests an arcane drama in progress: a stranded elephant on a highway in Oregon, or a pumpkin stand in Virginia behind which a house is burning fiercely. These narrative suggestions are suggestive, sly, often ironic, and frequently mysterious, making American Prospects less a series of photographs than a series of (unfinished, admittedly elliptical) short stories that add up to a compelling and persuasive vision of America...” (Parr/Badger, The Photobook).
Seller's Story
First published in 1987 with Hardcover by Times Books, this is the 1st Printing of the 1st Paperback edition, book is in good condition but due its age it has some scratches and shelfwear on cover and some wrinkles, you can check every corner on pictures. Little black pen smilie on tittle page from last owner.
“Joel Sternfeld traveled the country for some eight years with an 8x10 view camera and color film, a sojourn that produced his first and best-known book, American Prospects... The particular quality Sternfeld brought to the 8x10 color landscape aesthetic... is a clear narrative sense... In American Prospects, each image suggests an arcane drama in progress: a stranded elephant on a highway in Oregon, or a pumpkin stand in Virginia behind which a house is burning fiercely. These narrative suggestions are suggestive, sly, often ironic, and frequently mysterious, making American Prospects less a series of photographs than a series of (unfinished, admittedly elliptical) short stories that add up to a compelling and persuasive vision of America...” (Parr/Badger, The Photobook).

