Yuni R. P - Sol de Mediodía

Painting by artist Yuni R. P created using oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a perimetral white margin for better mounting or framing.

Once sold, artworks are shipped within a maximum of three days to any part of the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, guaranteeing perfect preservation during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, the tool with which he builds compositions of great visual strength and marked expressiveness.

His painting is characterized by a rich impasto, loose brushstrokes, and an intensely colorful palette, where light and movement constantly dialogue. In his impressionist treatment, there is a clear influence from Joaquín Sorolla, especially in the way he approaches luminosity, dynamism, and the vibration of color, always from a contemporary and deeply personal perspective.

The themes he pursues stem from an emotional connection with nature and the landscape: marine scenes, sailing ships, fauna, flowers, and evocative cities form a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening in the viewer intense feelings and latent memories.

Yuni’s paintings possess a frontal and enveloping presence; they are works that must be viewed in person, as photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the painting gesture. The spatula allows him to construct vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.

His work is, essentially, a celebration of color, matter, and emotion: a painting that invites us to pause, observe, and feel.

The work is defined as a neo-impressionist still life that stands out for its vibrant game of contrasts and its welcoming atmosphere. Executed in oil, the artist uses a generous application of impasto, employing the spatula to sculpt the petals of the yellow roses, giving them a three-dimensionality that seems to capture the light. The composition rests on a harmony of complementary colors, where the deep blues of the table and the vase intensify the golden glow of the flowers and the warmth of the foreground fruits. The painter seeks to convey a sense of serenity and everyday fullness, transforming a domestic corner into a setting flooded with sunlight, where the still life takes on energetic and joyful life that invites slow contemplation.