Yuni R. P - Canto sobre Pétalos

Painting executed by the artist Yuni R. P in oil on canvas technique, created entirely with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a light perimeter white margin for better mounting or framing.

The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, guaranteeing its perfect conservation during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a highly personal pictorial language, developed almost exclusively through the use of the spatula, the tool with which he builds compositions of great visual impact and marked expressiveness.

His painting is characterized by a rich impasto, loose strokes and an intensely colorful palette, where light and movement constantly dialogue. In his impressionistic treatment, there is a clear influence of Joaquín Sorolla, especially in the way luminosity, dynamism and color vibrancy are approached, always from a contemporary and deeply personal perspective.

The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, sailboats, fauna, flowers and evocative cities form a pictorial universe charged with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening in the viewer intense feelings and latent memories.

Yuni's paintings possess a frontal and enveloping presence; these are works that must be contemplated in person, as photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the painterly gesture. The spatula allows him to construct vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.

His work is, in essence, a celebration of color, matter, and emotion: a painting that invites one to stop, observe, and feel.

The work is framed within a neo-Impressionist style with touches of oriental lyricism, where the balanced composition highlights the fragility and grace of wildlife. Executed in oil technique, the artist uses a material and loose brushstroke, employing impasto to give volume to the white flowers, which seem to spring from the canvas with an almost tactile texture. The background, worked in a gradient of blues and atmospheric grays, creates an ethereal space that highlights the vibrant blue plumage of the birds, focal centers of the piece. The painter aims to convey a sense of peace, loyalty, and renewal, capturing a moment of pure connection that invites the viewer to value the serenity and the fleeting beauty of the cycles of nature.