Yuni R. P - Dama en el Jardín

Painting by the artist Yuni R. P in oil on canvas, worked entirely with a spatula.
Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a peripheral white margin for easier mounting or framing.

The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, guaranteeing its perfect conservation during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual strength and marked expressiveness.

His painting is characterized by a rich impasto, loose strokes and a intensely colorful palette, where light and movement constantly dialogue. In his impressionist treatment there is a clear influence of Joaquín Sorolla, especially in the way luminosity, dynamism and the vibrancy of color are approached, always from a contemporary and deeply personal perspective.

The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, sailing ships, fauna, flowers and evocative cities form a pictorial universe charged with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening in the viewer intense feelings and latent memories.

Yuni’s paintings possess a frontal and enveloping presence; they are works that must be contemplated in person, since photography cannot fully capture the richness of the impasto, the depth of color or the energy of the painterly gesture. The spatula allows him to construct vibrant surfaces, with layers of paint that convey solidity, movement and an almost tactile expressiveness.

His work is, in essence, a celebration of color, matter and emotion: a painting that invites stopping, observing and feeling.

The work is framed in a contemporary impressionist style, where light and color prevail over the rigid definition of forms. Executed masterfully in oil, the technique stands out for the use of a material and fragmented brushwork, applied with ease to create a visual vibration in the floral masses that flank the path. The composition, with a female figure seen from behind guiding the gaze toward the depth of the garden, uses a palette dominated by a range of cerulean blues and bright whites, which contrast with the earth tones of the path. The painter aims to convey a sense of romantic nostalgia and absolute serenity, capturing a moment of solitary contemplation where the human figure and nature merge in an atmosphere of peace and timeless elegance.