Yuni R. P - Banquete de Luz

Painting by the artist Yuni R. P., executed in oil on canvas, entirely crafted with a spatula.
Dimensions of the work: 53 x 73 cm, corresponding to the painting itself, with a perimetral white margin for better mounting or framing.

Once sold, the works are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid, high‑strength cardboard tube, ensuring its perfect condition during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work is distinguished by a very personal pictorial language, developed almost exclusively through the use of the spatula, a tool with which he builds compositions of great visual strength and marked expressiveness.

His painting is characterized by rich impasto, loose strokes, and a palette of intensely vibrant colors, where light and movement constantly dialogue. In his impressionistic treatment, a clear influence of Joaquín Sorolla is perceived, especially in the way luminosity, dynamism, and color vibration are approached, always from a contemporary and deeply personal perspective.

The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, ships, fauna, flowers, and evocative cities form a pictorial universe rich in nostalgia and admiration for classical art. His works do not aim for literal description but for the evocation of sensations, awakening in the viewer intense feelings and latent memories.

Yuni’s paintings have a frontal and enveloping presence; they are works that must be viewed in person, as photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the brushstroke. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.

His work is, essentially, a celebration of color, matter, and emotion: a painting that invites stopping, observing, and feeling.

This work is defined as a contemporary still life that rescues the opulence of the Baroque under a neo-impressionist execution. Using oil technique, the artist employs a loose and generous brushstroke, where impasto creates reliefs that give the composition a vibrant internal energy. The palette is dominated by dramatic contrasts: warm and golden tones of the chairs and fruit contrast with the dark background, achieving an illumination that seems to emanate from the objects themselves. The painter seeks to convey a sense of prosperity and fullness, transforming a domestic scene into a theatrical setting where light not only illuminates but dignifies everyday life, inviting the viewer to a sensory experience of luxury and tranquility.